(Max) Sebald (1944-2001)
Winfried Georg Sebald was born in Wertach im Allgau, Germany
towards the end of the Second World War. Although much of
Germany was devastated by the war, he passed his first ten
years in an idyllic, nearly untouched, village in the foothills
of the Bavarian Alps.
These were formative years for Professor Sebald. The son
of a German officer who never discussed his wartime experience,
he felt an underlying "conspiracy of silence". Visiting
Munich, he remembered "a few buildings standing intact
and between them an avalanche of scree that had come down....people
didn't comment on it...it seemed to me the natural condition
of cities...houses between mountains of rubble". Mr.
Sebald attended the University in Freiburg and was educated
there by a conservative faculty. He felt that "there
was something not acknowledged" in the undercurrent of
Third Reich intellectualism at the school. It was these experiences
that shaped his later writings.
W.G. Sebald wrote personal histories in narrative fictional
style; a genre of his own. A poet, essayist and novelist,
he wrote often about characters living with the memories of
World War 2 and the Holocaust. Professor Sebald would construct
his stories by browsing through old photographs. He would
briefly research archives and libraries, but drew his inspiration
from his collection of postcards, maps and pictures in magazines.
W.G. Sebald left Germany two years after university for Switzerland
and later, Great Britain, for a lecturing position at the
University of Manchester. Mr. Sebald remained unsettled in
England. "I've lived here for thirty years, but I don't
feel in the least at home". A common element in his books
reflect this unease; a wandering mobile traveler.
Critic James Wood of the New Republic wrote "Anxious, daring,
extreme, muted - only an annulling wash of contradictory adjectives
can approach the agitated density of W.G. Sebald's writing".
The New York Times chose Sebald's "Austerlitz" as one of the
nine best books of 2001. Times critic Michiko Kakutani compared
W.G. Sebald's writing as reminiscent of Igmar Bergman's "Wild
Strawberries", Kafka's fables and Proust's "Remembrance of
"Sebald is a thrilling, original writer. He makes
narration a state of investigative bliss." W.S.
Di Piero, The New York Times Book Review
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W. G. Sebald
|Austerlitz (Modern Library Paperbacks) -W.G. Sebald - - Modern Library |
This tenth anniversary edition of W. G. Sebald’s celebrated masterpiece includes a new Introduction by acclaimed critic James Wood. Austerlitz is the story of a man’s search for the answer to his life’s central riddle. A small child when he comes to England on a Kindertransport in the summer of 1939, Jacques Austerlitz is told nothing of his real family by the Welsh Methodist minister and his wife who raise him. When he is a much older man, fleeting memories return to him, and obeying an instinct he only dimly understands, Austerlitz follows their trail back to the world he left behind a half century before. There, faced with the void at the heart of twentieth-century Europe, he struggles to rescue his heritage from oblivion.
|The Emigrants (New Directions Paperbook) -W. G. Sebald - - New Directions Publishing Corporation |
A masterwork of W. G. Sebald, now with a gorgeous new cover by the famed designer Peter Mendelsund The four long narratives in The Emigrants appear at first to be the straightforward biographies of four Germans in exile. Sebald reconstructs the lives of a painter, a doctor, an elementary-school teacher, and Great Uncle Ambrose. Following (literally) in their footsteps, the narrator retraces routes of exile which lead from Lithuania to London, from Munich to Manchester, from the South German provinces to Switzerland, France, New York, Constantinople, and Jerusalem. Along with memories, documents, and diaries of the Holocaust, he collects photographs―the enigmatic snapshots which stud The Emigrants and bring to mind family photo albums. Sebald combines precise documentary with fictional motifs, and as he puts the question to realism, the four stories merge into one unfathomable requiem.
|Vertigo -W. G. Sebald - - Vertigo |
A masterwork of W. G. Sebald, now with a gorgeous new cover by the famed designer Peter Mendelsund
Perfectly titled, Vertigo ―W.G. Sebald's marvelous first novel ― is a work that teeters on the edge: compelling, puzzling, and deeply unsettling.
An unnamed narrator, beset by nervous ailments, journeys accross Europe to Vienna, Venice, Verona, Riva, and finally to his childhood home in a small Bavarian village. He is also journeying into the past. Traveling in the footsteps of Stendhal, Casanova, and Kafka, the narrator draws the reader, line by line, into a dizzying web of history, biography, legends, literature, and ― most perilously ― memories.
|On the Natural History of Destruction (Modern Library Paperbacks) -W.G. Sebald - - Modern Library During World War Two, 131 German cities and towns were targeted by Allied bombs, a good number almost entirely flattened. Six hundred thousand German civilians died—a figure twice that of all American war casualties. Seven and a half million Germans were left homeless. Given the astonishing scope of the devastation, W. G. Sebald asks, why does the subject occupy so little space in Germany’s cultural memory? On the Natural History of Destruction probes deeply into this ominous silence.|
|After Nature (Modern Library Paperbacks) -W.G. Sebald - After Nature, W. G. Sebald’s first literary work, now translated into English by Michael Hamburger, explores the lives of three men connected by their restless questioning of humankind’s place in the natural world. From the efforts of each, “an order arises, in places beautiful and comforting, though more cruel, too, than the previous state of ignorance.” The first figure is the great German Re-naissance painter Matthias Grünewald. The second is the Enlightenment botanist-explorer Georg Steller, who accompanied Bering to the Arctic. The third is the author himself, who describes his wanderings among landscapes scarred by the wrecked certainties of previous ages.|
After Nature introduces many of the themes that W. G. Sebald explored in his subsequent books. A haunting vision of the waxing and waning tides of birth and devastation that lie behind and before us, it confirms the author’s position as one of the most profound and original writers of our time.
From the Hardcover edition.
|Three Book Sebald Set: The Emigrants, The Rings of Saturn, and Vertigo -W. G. Sebald - - Three Book Sebald Set The Emigrants the Rings of Saturn and Vertigo |
The masterworks of W. G. Sebald, now in gorgeous new covers by the famed designer Peter Mendelsund New Directions is delighted to announce beautiful new editions of these three classic Sebald novels, including his two greatest works, The Emigrants and The Rings of Saturn. All three novels are distinguished by their translations, every line of which Sebald himself made pitch-perfect, slaving to carry into English all his essential elements: the shadows, the lambent fallings-back, nineteenth-century Germanic undertones, tragic elegiac notes, and his unique, quiet wit.
|A Place in the Country (Modern Library Classics) -W.G. Sebald - A Place in the Country is W. G. Sebald’s meditation on the six artists and writers who shaped his creative mind—and the last of this great writer’s major works to be translated into English.|
This edition includes more than 40 pieces of art, all originally selected by W. G. Sebald.
This extraordinary collection of interlinked essays about place, memory, and creativity captures the inner worlds of five authors and one painter. In his masterly and mysterious style—part critical essay, part memoir—Sebald weaves their lives and art with his own migrations and rise in the literary world.
Here are people gifted with talent and courage yet in some cases cursed by fragile and unstable natures, working in countries inhospitable or even hostile to them. Jean-Jacques Rousseau is conjured on the verge of physical and mental exhaustion, hiding from his detractors on the island of St. Pierre, where two centuries later Sebald took rooms adjacent to his. Eighteenth-century author Johann Peter Hebel is remembered for his exquisite and delicate nature writing, expressing the eternal balance of both the outside world and human emotions. Writer Gottfried Keller, best known for his 1850 novel Green Henry, is praised for his prescient insights into a Germany where “the gap between self-interest and the common good was growing ever wider.”
Sebald compassionately re-creates the ordeals of Eduard Mörike, the nineteenth-century German poet beset by mood swings, depression, and fainting spells in an increasingly shallow society, and Robert Walser, the institutionalized author whose nearly indecipherable scrawls seemed an attempt to “duck down below the level of language and obliterate himself” (and whose physical appearance and year of death mirrored those of Sebald’s grandfather). Finally, Sebald spies a cognizance of death’s inevitability in painter Jan Peter Tripp’s lovingly exact reproductions of life.
Featuring the same kinds of suggestive and unexplained illustrations that appear in his masterworks Austerlitz and The Rings of Saturn, and translated by Sebald’s colleague Jo Catling, A Place in the Country is Sebald’s unforgettable self-portrait as seen through the experiences of others, a glimpse of his own ghosts alongside those of the men who influenced him. It is an essential addition to his stunning body of work.
Praise for A Place in the Country
“Measured, solemn, sardonic . . . hypnotic . . . [W. G. Sebald’s] books, which he made out of classics, remain classics for now.”—Joshua Cohen, The New York Times Book Review
“In Sebald’s writing, everything is connected, everything webbed together by the unseen threads of history, or chance, or fate, or death. The scholarly craft of gathering scattered sources and weaving them into a coherent whole is transformed here into something beautiful and unsettling, elevated into an art of the uncanny—an art that was, in the end, Sebald’s strange and inscrutable gift.”—Slate
“Magnificent . . . The multiple layers surrounding each essay are seamless to the point of imperceptibility.”—New York Daily News
“Sebald’s most tender and jovial book.”—The Nation
“Reading [A Place in the Country is] like going for a walk with a beautifully talented, deeply passionate novelist from Mars.”—New York
|Austerlitz (Modern Library Paperbacks) -ARRAY(0x2eff3d8) - Austerlitz, the internationally acclaimed masterpiece by “one of the most gripping writers imaginable” (The New York Review of Books), is the story of a man’s search for the answer to his life’s central riddle. A small child when he comes to England on a Kindertransport in the summer of 1939, one Jacques Aus-terlitz is told nothing of his real family by the Welsh Methodist minister and his wife who raise him. When he is a much older man, fleeting memories return to him, and obeying an instinct he only dimly understands, he follows their trail back to the world he left behind a half century before. There, faced with the void at the heart of twentieth-century Europe, he struggles to rescue his heritage from oblivion.|
|The Rings of Saturn -W. G. Sebald - - Used Book in Good Condition |
Shortlisted for the 1998 Los Angeles Times Book Award in Fiction: "Stunning and strange . . . Sebald has done what every writer dreams of doing. . . . The book is like a dream you want to last forever. . . . It glows with the radiance and resilience of the human spirit."―Roberta Silman, The New York Times Book Review "Ostensibly a record of a journey on foot through coastal East Anglia," as Robert McCrum in the London Observer noted, The Rings of Saturn "is also a brilliantly allusive study of England's imperial past and the nature of decline and fall, of loss and decay. . . . The Rings of Saturn is exhilaratingly, you might say hypnotically, readable. . . . It is hard to imagine a stranger or more compelling work." The Rings of Saturn - with its curious archive of photographs - chronicles a tour across epochs as well as countryside. On his way, the narrator meets lonely eccentrics inhabiting tumble-down mansions and links them to Rembrandt's "Anatomy Lesson," the natural history of the herring, a matchstick model of the Temple of Jerusalem, the travels of Sir Thomas Browne's skull, and the massive bombings of WWII. Cataloging change, oblivion, and memories, he connects sugar fortunes, Joseph Conrad, and the horrors of colonizing the Belgian Congo. The narrator finds threads which run from an abandoned bridge over the River Blyth to the terrible dowager Empress Tzu Hsi and the silk industry in Norwich. "Sebald," as The New Yorker stated, "weaves his tale together with a complexity and historical sweep that easily encompasses both truth and fiction." The Emigrants (hailed by Susan Sontag as an "astonishing masterpiece-perfect while being unlike any book one has ever read") was "one of the great books of the last few years," as Michael Ondaatje noted: "and now The Rings of Saturn is a similar and as strange a triumph."
|Campo Santo (Modern Library Paperbacks) -W.G. Sebald - - Used Book in Good Condition “W. G. Sebald exemplified the best kind of cosmopolitan literary intelligence–humane, digressive, deeply erudite, unassuming and tinged with melancholy. . . . In [Campo Santo] Sebald reveals his distinctive tone, as his winding sentences gradually mingle together curiosity and plangency, learning and self-revelation. . . . [Readers will] be rewarded with unexpected illuminations.”|
–The Washington Post Book World
This final collection of essays by W. G. Sebald offers profound ruminations on many themes common to his work–the power of memory and personal history, the connections between images in the arts and life, the presence of ghosts in places and artifacts. Some of these pieces pay tribute to the Mediterranean island of Corsica, weaving elegiacally between past and present, examining, among other things, the island’s formative effect on its most famous citizen, Napoleon. In others, Sebald examines how the works of Günter Grass and Heinrich Böll reveal “the grave and lasting deformities in the emotional lives” of postwar Germans; how Kafka echoes Sebald’s own interest in spirit presences among mortal beings; and how literature can be an attempt at restitution for the injustices of the real world.
Dazzling in its erudition, accessible in its deep emotion, Campo Santo confirms Sebald’s status as one of the great modern writers who divined and expressed the invisible connections that determine our lives.