3001 by Arthur C. Clarke
- It began four million years ago when a gleaming black monolith cast its shadow on the stark African savanna *an inexplicable apparition that ignited the spark of human consciousness, transforming ape into man.It continued at the dawn of the 21st century when an identical black monolith was excavated on the moon *propelling Dave Bowman and his deputy Frank Poole on a mission to Jupiter that ended in the mutiny of the supercomputer HAL. Only Dave Bowman would survive to encounter a third, and far more massive monolith on Jupiter's moon Europa *and be forever transformed into the star child. It is the world of 2001: A Space Odyssey. And now, the odyssey enters its perilous ultimate stage. In 3001, the human race, incredibly, has survived, yet lives in baffled fear of the trio of monoliths that dominate the solar system--until a ray of light beams forth from a totally unexpected source. The body of Frank Poole, believed dead for a thousand years, is recovered from the frozen reaches of the galaxy, restored to conscious life, and readied to resume the voyage that HAL abruptly terminated a thousand years back. He knows he cannot proceed until he reestablishes contact with Dave Bowman. But first he must fathom the terrifying truth of what Bowman *and HAL *have become inside the monolith. In 3001: The Final Odyssey, Arthur C. Clarke brings the greatest and most successful science fiction series of all time to its magnificent, stunningly unforeseen conclusion. As we hurtle toward the new millennium in real time, Clarke brilliantly, daringly leaps one thousand years into the future to reveal a truth we are only now capable of comprehending. An epic masterpiece at once dazzlingly imaginative and grounded in scientific actuality, 3001 is a story that only Arthur C. Clarke could tell.
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2001: A Space Odyssey
"What? Only three interview requests overnight? Has the world forgotten
me already?" was the e-mail response from Sir Arthur to a New York
Times interview request the first week of 2001. Obviously, he has been
very busy in the beginning of a year forever linked to his name. In 1968,
Stanley Kubrick finished a science fiction epic film after nealy three
years of production based on a short story by then just plain Arthur C.
Clarke (The
Sentinel, 1948). The rest was history, as they say...
Arthur C. Clarke was born in Minehead,Somerset on December 16, 1917 and
was an avid collector of pulp fiction magazines. He pursued a Bachelor
of Science degree in physics, and pure and applied mathematics at King's
College, London. Clarke became chairman of the British Interplanetary
Sociey and recruited George Bernard Shaw as well as many other new members
in the mid 1940s. He met C.S.Lewis and J.R.R. Tolkein at Oxford. Clarke
published his first novel Prelude
to Space in 1947. He was awarded a CBE in 1989 and was knighted
in 1998. Today, Sir Arthur lives in Sri Lanka and continues to amaze everyone
with his unique foresight and creative thought.
website: Arthur
C. Clarke Foundation
The War of the Worlds (Modern Library Classics) by H. G. Wells
- “No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man’s and yet as mortal as his own.” Thus begins one of the most terrifying and morally prescient science fiction novels ever penned. Beginning with a series of strange flashes in the distant night sky, the Martian attack initially causes little concern on Earth. Then the destruction erupts—ten massive aliens roam England and destroy with heat rays everything in their path. Very soon mankind finds itself on the brink of extinction. Wells raises questions of mortality, man’s place in nature, and the evil lurking in the technological future—questions that remain urgently relevant in the twenty-first century.This is the granddaddy of all alien invasion stories, first published by H.G. Wells in 1898. The novel begins ominously, as the lone voice of a narrator tells readers that "No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's..." Things then progress from a series of seemingly mundane reports about odd atmospheric disturbances taking place on Mars to the arrival of Martians just outside of London. At first the Martians seem laughable, hardly able to move in Earth's comparatively heavy gravity even enough to raise themselves out of the pit created when their spaceship landed. But soon the Martians reveal their true nature as death machines 100-feet tall rise up from the pit and begin laying waste to the surrounding land. Wells quickly moves the story from the countryside to the evacuation of London itself and the loss of all hope as England's military suffers defeat after defeat. With horror his narrator describes how the Martians suck the blood from living humans for sustenance, and how it's clear that man is not being conquered so much a corralled. --Craig E. Engler
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Childhood's End (Del Rey Impact) by Arthur C. Clarke
- The Overlords appeared suddenly over every city--intellectually, technologically, and militarily superior to humankind. Benevolent, they made few demands: unify earth, eliminate poverty, and end war. With little rebellion, humankind agreed, and a golden age began.
But at what cost? With the advent of peace, man ceases to strive for creative greatness, and a malaise settles over the human race. To those who resist, it becomes evident that the Overlords have an agenda of their own. As civilization approaches the crossroads, will the Overlords spell the end for humankind . . . or the beginning?
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2001: A Space Odyssey by Arthur C. Clarke
- 2001: A Space Odyssey is the classic science fiction novel that changed the way we looked at the stars and ourselves....
2001: A Space Odyssey inspired what is perhaps the greatest science fiction film ever made- brilliantly imagined by the late Stanley Kubrick....
2001 is finally here....
"Dazzling...wrenching, eerie, a mind-bender."-Time
"Full of poetry, scientific imagination and typically wry Clarke wit. By standing the universe on its head, he makes us see the ordinary universe in a different light...a complex allegory about the history of the world."-The New Yorker
"Brain-boggling." -Life
"Clark has constructed an effective work of fiction...with the meticulous creation of an extraterrestrial environment...Mr. Clark is a master."--Library Journal
"Breathtaking."-Saturday ReviewWhen an enigmatic monolith is found buried on the moon, scientists are amazed to discover that it's at least 3 million years old. Even more amazing, after it's unearthed the artifact releases a powerful signal aimed at Saturn. What sort of alarm has been triggered? To find out, a manned spacecraft, the Discovery, is sent to investigate. Its crew is highly trained--the best--and they are assisted by a self-aware computer, the ultra-capable HAL 9000. But HAL's programming has been patterned after the human mind a little too well. He is capable of guilt, neurosis, even murder, and he controls every single one of Discovery's components. The crew must overthrow this digital psychotic if they hope to make their rendezvous with the entities that are responsible not just for the monolith, but maybe even for human civilization. Clarke wrote this novel while Stanley Kubrick created the film, the two collaborating on both projects. The novel is much more detailed and intimate, and definitely easier to comprehend. Even though history has disproved its "predictions," it's still loaded with exciting and awe-inspiring science fiction. --Brooks Peck
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Firstborn by Arthur C. Clarke, Stephen Baxter
- The Firstborn–the mysterious race of aliens who first became known to science fiction fans as the builders of the iconic black monolith in 2001: A Space Odyssey–have inhabited legendary master of science fiction Sir Arthur C. Clarke’s writing for decades. With Time’s Eye and Sunstorm, the first two books in their acclaimed Time Odyssey series, Clarke and his brilliant co-author Stephen Baxter imagined a near-future in which the Firstborn seek to stop the advance of human civilization by employing a technology indistinguishable from magic.
Their first act was the Discontinuity, in which Earth was carved into sections from different eras of history, restitched into a patchwork world, and renamed Mir. Mir’s inhabitants included such notables as Alexander the Great, Genghis Khan, and United Nations peacekeeper Bisesa Dutt. For reasons unknown to her, Bisesa entered into communication with an alien artifact of inscrutable purpose and godlike power–a power that eventually returned her to Earth. There, she played an instrumental role in humanity’s race against time to stop a doomsday event: a massive solar storm triggered by the alien Firstborn designed to eradicate all life from the planet. That fate was averted at an inconceivable price. Now, twenty-seven years later, the Firstborn are back.
This time, they are pulling no punches: They have sent a “quantum bomb.” Speeding toward Earth, it is a device that human scientists can barely comprehend, that cannot be stopped or destroyed–and one that will obliterate Earth.
Bisesa’s desperate quest for answers sends her first to Mars and then to Mir, which is itself threatened with extinction. The end seems inevitable. But as shocking new insights emerge into the nature of the Firstborn and their chilling plans for mankind, an unexpected ally appears from light-years away.
From the Hardcover edition.
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Rendevous with Rama by Arthur C. Clarke
- In the year 2130, a mysterious and apparently untenanted alien spaceship, Rama, enters our solar system. The first product of an alien civilisation to be encountered by man, it reveals a world of technological marvels and an unparalleled artificial ecology. But what is its purpose in 2131? Who is inside it? And why?An all-time science fiction classic, Rendezvous with Rama is also one of Clarke's best novels--it won the Campbell, Hugo, Jupiter, and Nebula Awards. A huge, mysterious, cylindrical object appears in space, swooping in toward the sun. The citizens of the solar system send a ship to investigate before the enigmatic craft, called Rama, disappears. The astronauts given the task of exploring the hollow cylindrical ship are able to decipher some, but definitely not all, of the extraterrestrial vehicle's puzzles. From the ubiquitous trilateral symmetry of its structures to its cylindrical sea and machine-island, Rama's secrets are strange evidence of an advanced civilization. But who, and where, are the Ramans, and what do they want with humans? Perhaps the answer lies with the busily working biots, or the sealed-off buildings, or the inaccessible "southern" half of the enormous cylinder. Rama's unsolved mysteries are tantalizing indeed. Rendezvous with Rama is fast moving, fascinating, and a must-read for science fiction fans. Clarke collaborated with Gentry Lee in writing several Rama sequels, beginning with Rama II.
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2010: Odyssey Two by Arthur C. Clarke
- "A daring romp through the solar system and a worthy successor to 2001." *Carl Sagan Nine years after the disastrous Discovery mission to Jupiter in 2001, a joint U.S.-Soviet expedition sets out to rendezvous with the derelict spacecraft *to search the memory banks of the mutinous computer HAL 9000 for clues to what went wrong . . . and what became of Commander Dave Bowman. Without warning, a Chinese expedition targets the same objective, turning the recovery mission into a frenzied race for the precious information Discovery may hold about the enigmatic monolith that orbits Jupiter. Meanwhile, the being that was once Dave Bowman *the only human to unlock the mystery of the monolith *streaks toward Earth on a vital mission of its own . . . "Clarke deftly blends discovery, philosophy, and a newly acquired sense of play."  *Time "2010 is easily Clarkes' best book in over a decade."  *The San Diego Tribune
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3001 The Final Odyssey by Arthur C. Clarke
- One thousand years after the Jupiter mission to explore the mysterious Monolith had been destroyed, after Dave Bowman was transformed into the Star Child, Frank Poole drifted in space, frozen and forgotten, leaving the supercomputer HAL inoperable. But now Poole has returned to life, awakening in a world far different from the one he left behind--and just as the Monolith may be stirring once again . . .
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The Last Theorem by Arthur C. Clarke, Frederik Pohl
- When Ranjit Subramanian, a Sri Lankan with a special gift for numbers, writes a three-page proof of the coveted “Last Theorem,” which French mathematician Pierre de Fermat claimed to have discovered (but never recorded) in 1637, Ranjit’s achievement is hailed as a work of genius, bringing him fame and fortune. But it also brings him to the attention of the National Security Agency and a shadowy United Nations outfit called Pax per Fidem–or Peace Through Transparency–whose secretive workings belie its name. Suddenly Ranjit–along with his family–finds himself swept up in world-shaking events, his genius for abstract mathematical thought put to uses that are both concrete and potentially deadly.
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2061: Odyssey Three by Arthur C. Clarke
- "[Clarke] remains a master at describing the wonders of the material universe in sentences that combine a respect for scientific accuracy with an often startling lyricism." *The New York Times Book Review Fifty years after meeting the spirit of Dave Bowman aboard the abandoned Discovery and witnessing the fiery transformation of Jupiter into Earths second sun, 103-year-old Dr. Heywood Floyd boards the luxury spaceship Universe for the historic first landing on the surface of Halley's Comet. At the same time, the Galaxy expedition sets out to probe the evolutionary upheaval on Jupiter's former moon Europa haunted by the fate of a doomed Chinese mission and by the ominous message from space: "All these worlds are yours *except Europa. Attempt no landings there. " As the stranded Galaxy awaits rescue on the dangerous and forbidden surface of Europa and Universe races to her aid, the omniscient force that is Dave Bowman watches *and waits to reveal the extraordinary secrets of the monoliths, of the masters he now serves, and of mankind's ultimate role in the course of cosmic history . . . "[Clarke] is, after all, the poet laureate of the Space Age. He is at his best making the reader feel . . . that it is those dreams that finally come true that are the best dreams of all."  *Los Angeles Times
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2001 - A Space Odyssey [Blu-ray]
- A space mission that could reveal man?s destiny is jeopardized by a malfunctioning shipboard computer. A dazzling journey that tops them all ? and showed the way for other effects-packed films that followed.When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff ShannonWhen Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon
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2001 - A Space Odyssey (Two-Disc Special Edition)
- A space mission that could reveal man?s destiny is jeopardized by a malfunctioning shipboard computer. A dazzling journey that tops them all ? and showed the way for other effects-packed films that followed.When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff ShannonWhen Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon
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2001 - A Space Odyssey
- Studio: Warner Home Video Release Date: 05/31/2005 Run time: 148 minutes Rating: RWhen Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff ShannonWhen Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon
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2001: A Space Odyssey
- When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff ShannonWhen Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon
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2001 - A Space Odyssey (Limited Edition Collector's Set)
- When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff ShannonWhen Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon
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Space Odyssey 10 Movie Pack
- Slipstream An outstanding cast is featured in this futuristic science fiction thriller that finds a bounty hunter on a perilous quest for his quarry while Mother Nature runs rampant on planet Earth threatening the very future of mankind.Runtime: 92 minutesAbraxas (Guardian of the Universe) Abraxas (Jessie "The Body" Ventura) is a cop whose beat spans two galaxies. His mission: To stop planets from destroying themselves through ecological suicide and senseless war. Secundus (Sven Ole Thorsen) is his ex-partner who has recently turned renegade and is looking for the anti-life equation... and unlimited source of power that could destroy the universe. Watch as two superpowered beings wage an all out battle that will forever decide the fate of earth! Special appearance by: James Belushi.Runtime: 90 minutesCreature Following the disappearance of the first mission to Saturn's moon Titan a second U.S. ship arrives to see what happened and retrieve alien research but shortly after their arrival people start dying! In addition to encountering a nasty creature they come upon Hans Rudy Hofner (Klaus Kinski) the sole survivor of an earlier West German expedition. When alien-controlled Jon Fennel lures the surviving astronauts over to the West German space ship things go from bad to bloody. Astronauts Mike Davidson and Beth Sladen are forced to battle the creature who's after them. But can they survive to tell their story?Runtime: 90 minutesLaser Mission Brandon Lee son of the martial arts master Bruce Lee stars in this enthralling thriller filled with action and incredible fight sequences. A renegade government agent (Lee) has been given a seemingly impossible mission: to uncover a top-secret Soviet laser weapons operation blow it up and recover the scientist who holds the deadly formula that could destroy the world!Runtime: 83 minutesAlien Species Huge motherships from an alien species sneak ominously into orbit around earth. Lethal bat-winged fight
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2001 - A Space Odyssey [HD DVD]
- A space mission that could reveal man?s destiny is jeopardized by a malfunctioning shipboard computer. A dazzling journey that tops them all ? and showed the way for other effects-packed films that followed.When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff ShannonWhen Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon
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2010: The Year We Make Contact
- A joint american-soviet space expedition is sent to jupiter to learn what happen to the discovery. Studio: Warner Home Video Release Date: 10/05/2004 Starring: John Lithgow Helen Mirren Run time: 116 minutes Rating: Pg Director: Peter HyamsNo director could ever have hoped to repeat the artistic achievement of Stanley Kubrick's 2001: A Space Odyssey, and nobody knew that better than Peter Hyams, who made this much more conventional film from the first of three sequel novels by Arthur C. Clarke. Whereas Kubrick made a poetic film of mind-expanding ideas and metaphysical mysteries, Hyams shouldn't be blamed for taking a more practical, crowd-pleasing approach. In revealing much of what Kubrick deliberately left unexplained, 2010 lacks the enigmatic awe of its predecessor, but it's still a riveting tale of space exploration and extraterrestrial contact, beginning when a joint American-Soviet mission embarks to determine the cause of failure of the derelict spaceship Discovery. Having arrived at Discovery near the planet Jupiter, the American mission leader (Roy Scheider) and his Russian counterpart (Helen Mirren) must investigate the apparent failure of the ship's infamous onboard computer, HAL 9000, as well as the meaning of countless mysterious black monoliths amassing on Jupiter's surface (an interpretation Kubrick originally left up to his viewers). Meanwhile, Earth is on the brink of nuclear war, and an apparition of astronaut David Bowman (Keir Dullea) appears to repeatedly promise that "something wonderful" is about to happen. --Jeff Shannon
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2001: A Space Odyssey - Movie Poster - 27 x 40
- MovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon at www.amazon.com/moviegoods
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2001: A SPACE ODYSSEY 8X10 COLOR PHOTO
- Keir Dullea as Dr. Dave Bowman in 2001: A Space Odyssey: At Moviestore we have an incredible library of celebrity photography covering movies, TV, music, sport and celebrity. Our exclusive photographs are professionally produced by our in-house team; we perfect bright vibrant colors or wonderful black and white tones for our photographic prints that you can display in your home or office with pride. All our images are produced from genuine original negatives and slides held in our vast library. We have been in business for 16 years so you can buy with confidence. Our guarantee: if you are not fully satisfied with any print from Moviestore we will gladly refund your money!
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2001: A Space Odyssey - Movie Poster - 27 x 40
- MovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon at www.amazon.com/moviegoods
Our Price: $19.99
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2001: A Space Odyssey - Movie Poster - 27 x 40
- MovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon at www.amazon.com/moviegoods
Our Price: $17.95
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2001: A SPACE ODYSSEY ORIGINAL MOVIE POSTER
- PRODUCT DESCRIPTION: At Moviestore we have an unbeatable range of both original and classic high quality reproduction movie posters. Movie poster art is a wonderful collectible item and great for home or office decor. We have been in business for 16 years so you can buy with confidence. Our guarantee - if you are not fully satisfied with your purchase from Moviestore we will gladly refund your money.
Our Price: $74.99
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