2001: A Space Odyssey
"What? Only three interview requests overnight? Has the world forgotten
me already?" was the e-mail response from Sir Arthur to a New York
Times interview request the first week of 2001. Obviously, he has been
very busy in the beginning of a year forever linked to his name. In 1968,
Stanley Kubrick finished a science fiction epic film after nealy three
years of production based on a short story by then just plain Arthur C.
Clarke (The
Sentinel, 1948). The rest was history, as they say...
Arthur C. Clarke was born in Minehead,Somerset on December 16, 1917 and
was an avid collector of pulp fiction magazines. He pursued a Bachelor
of Science degree in physics, and pure and applied mathematics at King's
College, London. Clarke became chairman of the British Interplanetary
Sociey and recruited George Bernard Shaw as well as many other new members
in the mid 1940s. He met C.S.Lewis and J.R.R. Tolkein at Oxford. Clarke
published his first novel Prelude
to Space in 1947. He was awarded a CBE in 1989 and was knighted
in 1998. Today, Sir Arthur lives in Sri Lanka and continues to amaze everyone
with his unique foresight and creative thought.
website: Arthur
C. Clarke Foundation
Arthur C. Clarke
Time's Eye (A Time Odyssey) by Arthur C. Clarke, Stephen Baxter
Del Rey
Sir Arthur C. Clarke may be the greatest science fiction writer in the world; certainly, he's the best-known, not least because he wrote the novel and coauthored the screenplay of 2001: A Space Odyssey. He's also the only SF writer to be nominated for the Nobel Peace Prize or to be knighted by Her Majesty Elizabeth II. This god of SF has twice collaborated with one of the best SF writers to emerge in the 1990s, Stephen Baxter, winner of the British SF Award, the Locus Award, and the Philip K. Dick Award. Their first collaboration is the novel The Light of Other Days. Their second is the novel Time's Eye: Book One of a Time Odyssey. As the subtitle indicates, Time's Eye is the first book of a series intended to do for time what 2001 did for space. Does Time's Eye succeed in this goal? No. In 2001, humanity discovers a mysterious monolith on the moon, triggering a signal that astronauts pursue to one of the moons of Jupiter. In Time's Eye, mysterious satellites appear all around the Earth and scramble time, bringing together an ape-woman; twenty- first-century soldiers and astronauts; nineteenth-century British and Indian soldiers; and the armies of Genghis Khan and Alexander the Great. The characters march around in search of other survivors, then clash in epic battle. It's not until the end that the novel returns to the mystery of the tiny, eye-like satellites (and doesn't solve it). In other words, the plot of Time's Eye is a nearly 300-page digression, and 2001 fans expecting exploration of the scientific enigma and examination of the meaning of existence will be disappointed. However, fans of rousing and well-written transtemporal adventure in the tradition of S.M. Stirling's novel Island in the Sea of Time will enjoy Time's Eye. --Cynthia Ward Release Date: 01 March, 2005 Mass Market Paperback
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The War of the Worlds (Modern Library Classics) by H. G. Wells, Arthur C. Clarke
Modern Library
This is the granddaddy of all alien invasion stories, first published by H.G. Wells in 1898. The novel begins ominously, as the lone voice of a narrator tells readers that "No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's..." Things then progress from a series of seemingly mundane reports about odd atmospheric disturbances taking place on Mars to the arrival of Martians just outside of London. At first the Martians seem laughable, hardly able to move in Earth's comparatively heavy gravity even enough to raise themselves out of the pit created when their spaceship landed. But soon the Martians reveal their true nature as death machines 100-feet tall rise up from the pit and begin laying waste to the surrounding land. Wells quickly moves the story from the countryside to the evacuation of London itself and the loss of all hope as England's military suffers defeat after defeat. With horror his narrator describes how the Martians suck the blood from living humans for sustenance, and how it's clear that man is not being conquered so much a corralled. --Craig E. Engler Release Date: 12 March, 2002 Paperback
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Rendezvous with Rama by Arthur C. Clarke
Spectra
An all-time science fiction classic, Rendezvous with Rama is also one of Clarke's best novels--it won the Campbell, Hugo, Jupiter, and Nebula Awards. A huge, mysterious, cylindrical object appears in space, swooping in toward the sun. The citizens of the solar system send a ship to investigate before the enigmatic craft, called Rama, disappears. The astronauts given the task of exploring the hollow cylindrical ship are able to decipher some, but definitely not all, of the extraterrestrial vehicle's puzzles. From the ubiquitous trilateral symmetry of its structures to its cylindrical sea and machine-island, Rama's secrets are strange evidence of an advanced civilization. But who, and where, are the Ramans, and what do they want with humans? Perhaps the answer lies with the busily working biots, or the sealed-off buildings, or the inaccessible "southern" half of the enormous cylinder. Rama's unsolved mysteries are tantalizing indeed. Rendezvous with Rama is fast moving, fascinating, and a must-read for science fiction fans. Clarke collaborated with Gentry Lee in writing several Rama sequels, beginning with Rama II. Release Date: 01 November, 1990Mass Market Paperback
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2001: A Space Odyssey by Arthur C. Clarke
Roc
When an enigmatic monolith is found buried on the moon, scientists are amazed to discover that it's at least 3 million years old. Even more amazing, after it's unearthed the artifact releases a powerful signal aimed at Saturn. What sort of alarm has been triggered? To find out, a manned spacecraft, the Discovery, is sent to investigate. Its crew is highly trained--the best--and they are assisted by a self-aware computer, the ultra-capable HAL 9000. But HAL's programming has been patterned after the human mind a little too well. He is capable of guilt, neurosis, even murder, and he controls every single one of Discovery's components. The crew must overthrow this digital psychotic if they hope to make their rendezvous with the entities that are responsible not just for the monolith, but maybe even for human civilization. Clarke wrote this novel while Stanley Kubrick created the film, the two collaborating on both projects. The novel is much more detailed and intimate, and definitely easier to comprehend. Even though history has disproved its "predictions," it's still loaded with exciting and awe-inspiring science fiction. --Brooks Peck Release Date: 12 September, 2000 Paperback
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2001: A Space Odyssey
2001 - A Space Odyssey [Blu-ray] - Warner Home Video
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When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff ShannonRelease Date: 23 October, 2007Blu-ray
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2001 - A Space Odyssey [HD DVD] - Warner Home Video
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When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff ShannonRelease Date: 23 October, 2007HD DVD
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2001 - A Space Odyssey (Two-Disc Special Edition) - Warner Home Video
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When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff ShannonRelease Date: 23 October, 2007DVD
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2001 - A Space Odyssey - Warner Home Video
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When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff ShannonRelease Date: 12 June, 2001DVD
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Stanley Kubrick Collection (2001: A Space Odyssey / Dr. Strangelove / A Clockwork Orange / The Shining / Lolita / Barry Lyndon / Full Metal Jacket / Eyes Wide Shut) - Warner Home Video
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With the 1957 release of Paths of Glory, Stanley Kubrick confirmed his early promise and joined the ranks of world-class filmmakers. The age of the auteur had arrived, and Kubrick was a prime candidate for inclusion in the pantheon of directors later canonized by critic Andrew Sarris in his influential book The American Cinema. Ironically, this was also the period during which Kubrick left his native soil for permanent residence in England, and from that point forward, the Kubrick mystique inflated to legendary proportions. But if Kubrick was no longer bringing himself to the world, he was certainly bringing the world to his films. From the comfort of his rural England estate and locations never far from London, Kubrick would command cinematic odysseys to isolated Colorado (in The Shining), battle-ravaged Vietnam ( Full Metal Jacket), upscale New York City ( Eyes Wide Shut), and, of course, Jupiter and Beyond the Infinite (in 2001: A Space Odyssey). The New Stanley Kubrick Collection includes all eight of Kubrick's films from Lolita on--a quarter-century of brilliant, challenging cinema. This second edition adds Eyes Wide Shut to the previous collection and remastered sound on five of the films plus a new anamorphic edition of 2001. Purists have complained that Kubrick's last three films have been released in full-screen format only; this was in compliance with Kubrick's wishes, and the films do not suffer unduly from full-screen formatting. This set also features a new full-length documentary made by longtime Kubrick assistant Jan Harlan, Stanley Kubrick: A Life in Pictures. The diversity of Kubrick's work is truly astonishing, even though the director's technical precision and steely perspective on humanity may strike uninitiated viewers as cold and even misanthropic. His films almost always received mixed (and sometimes scathingly negative) reviews upon their release, only to benefit from glowing reassessment as they grew entrenched in the public consciousness. Here, in all their glory, are the collected films of a genuine master, ripe for study and appreciation for many years to come. --Jeff Shannon Release Date: 12 June, 2001 DVD
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2001: A Space Odyssey - MGM (Video & DVD)
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When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon Release Date: 25 August, 1998DVD
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2001: A Space Odyssey - Turner Home Ent
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When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff ShannonRelease Date: 29 June, 1999DVD
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2001 - A Space Odyssey (Limited Edition Collector's Set) - Creative Design Art
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When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff ShannonRelease Date: 12 June, 2001DVD
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2001: A Space Odyssey - Original Motion Picture Soundtrack (1996 Reissue) - Rhino / Wea
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This commemorative reissue of music from 2001: A Space Odyssey combines the Also sprach Zarathustra theme, various Johann and Richard Strauss segments, and a ballet suite by Aram Khachaturian--all of which prove how much Stanley Kubrick's film attempts to avoid the soundtrack clichés of most science-fiction movies. Instead of the expected sci-fi effects, there is a more ironic application of music that would be otherwise incongruous to the celestial settings. Here, "The Blue Danube" complements scenes involving weightlessness and descending spacecraft, while Gyorgy Ligeti's creepy "monolith" music connotes Armageddon more than interplanetary exploration. The tracks play as they had appeared on the original soundtrack release back in the '60s, but there is also previously unreleased supplemental material and a dialogue montage entitled "HAL 9000." --Joseph LanzaRelease Date: 29 October, 1996Audio CD
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