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EDITORS CHOICE - The Dark Knight

The Dark Knight (+ Digital Copy and BD Live) [Blu-ray]
"Not your father's Batman!" The Dark Knight continues the darker, graphic novel version of the Batman story as with Batman Begins. Director Christopher Nolan with a cast of stars including Christian Bale as Batman, Heath Ledger as the Joker, Gary Oldman as Gordon and Michael Caine as Alfred create a world of their own. Not to be missed!
Release Date: December 9, 2008 (Preorder Available)
- The follow-up to Batman Begins, The Dark Knight reunites director Christopher Nolan and star Christian Bale, who reprises the role of Batman/Bruce Wayne in his continuing war on crime. With the help of Lt. Jim Gordon and District Attorney Harvey Dent, Batman sets out to destroy organized crime in Gotham for good. The triumvirate proves effective, but soon find themselves prey to a rising criminal mastermind known as The Joker, who thrusts Gotham into anarchy and forces Batman closer to crossing the fine line between hero and vigilante. Heath Ledger stars as archvillain The Joker, and Aaron Eckhart plays Dent. Maggie Gyllenhaal joins the cast as Rachel Dawes. Returning from Batman Begins are Gary Oldman as Gordon, Michael Caine as Alfred and Morgan Freeman as Lucius Fox.The Dark Knight arrives with tremendous hype (best superhero movie ever? posthumous Oscar for Heath Ledger?), and incredibly, it lives up to all of it. But calling it the best superhero movie ever seems like faint praise, since part of what makes the movie great--in addition to pitch-perfect casting, outstanding writing, and a compelling vision--is that it bypasses the normal fantasy element of the superhero genre and makes it all terrifyingly real. Harvey Dent (Aaron Eckhart) is Gotham City's new district attorney, charged with cleaning up the crime rings that have paralyzed the city. He enters an uneasy alliance with the young police lieutenant, Jim Gordon (Gary Oldman), and Batman (Christian Bale), the caped vigilante who seems to trust only Gordon--and whom only Gordon seems to trust. They make progress until a psychotic and deadly new player enters the game: the Joker (Heath Ledger), who offers the crime bosses a solution--kill the Batman. Further complicating matters is that Dent is now dating Rachel Dawes (Maggie Gyllenhaal, after Katie Holmes turned down the chance to reprise her role), the longtime love of Batman's alter ego, Bruce Wayne.

In his last completed role before his tragic death, Ledger is fantastic as the Joker, a volcanic, truly frightening force of evil. And he sets the tone of the movie: the world is a dark, dangerous place where there are no easy choices. Eckhart and Oldman also shine, but as good as Bale is, his character turns out rather bland in comparison (not uncommon for heroes facing more colorful villains). Director-cowriter Christopher Nolan (Memento) follows his critically acclaimed Batman Begins with an even better sequel that sets itself apart from notable superhero movies like Spider-Man 2 and Iron Man because of its sheer emotional impact and striking sense of realism--there are no suspension-of-disbelief superpowers here. At 152 minutes, it's a shade too long, and it's much too intense for kids. But for most movie fans--and not just superhero fans--The Dark Knight is a film for the ages. --David Horiuchi

On the Blu-ray disc
The Dark Knight on Blu-ray is a great home-theater showoff disc. The detail and colors are tremendous in both dark and bright scenes (the Gotham General scene is a great example of the latter), and the punishing Dolby TrueHD soundtrack makes the house rattle. (After giving us only Dolby 5.1 in a number of big Blu-ray releases this fall, Warner came through with Dolby TrueHD on this one.) One of the most interesting elements of The Dark Knight was how certain scenes were shot in IMAX, and if you saw the movie in an IMAX theater the film's aspect ratio would suddenly change from standard 2.40:1 to a thrilling 1.43:1 that filled the screen six stories high. For the Blu-ray disc, director Christopher Nolan has somewhat re-created this experience by shifting his film from 2.40:1 aspect ratio (through most of the film) to 1.78:1 in the IMAX scenes. While the effect isn't as dramatic as it was in theaters, it's still an eye-catching experience to be watching the film on a widescreen TV with black bars at the top and bottom, then seeing the 1.78:1 scenes completely fill the screen. The main bonus feature on disc 1 is "Gotham Uncovered: The Creation of a Scene," which is 81 minutes of behind-the-scenes footage about the IMAX scenes, the Bat suit, Gotham Central, and others. You can watch the film and access these featurettes when the icon pops up, or you can simply watch them from the main menu. A welcome and unusual feature is that in addition to English, French, and Spanish audio and subtitles, there's an audio-described option that allows the sight-impaired to experience the film as well.

Disc 2 has two 45-minute documentaries on Bat-gadgets and on the psychology of Batman, both in high definition. They combine movie clips, talking heads, and comic-book panels, but aren't the kind of thing one needs to watch twice. More engaging are six eight-minute segments of Gotham Central, a faux-news program that gives some background to events in the movie, plus a variety of trailers, poster art, and more. The BD-Live component on disc 1 is more interesting than on some earlier Blu-ray discs, which could be simply a matter of the content starting to catch up with the technology. There are three new picture-in-picture commentaries, by Jerry Robinson (creator of the Joker), DC Comics president Paul Levitz, and Senator Patrick Leahy (D-Vt.--he's a Batman fan who's made some movie and TV cameos), plus you can record your own commentary and upload it for others to watch. There are also three new featurettes ("Sound of the Batpod," "Harvey Dent's Theme," and "Hans Zimmer and James Newton Howard") and two motion comics ("Mad Love," featuring Harley Quinn, and "The Shadow of Ra's Al Ghul"). Last, there's a digital copy of the film compatible with iTunes and Windows Media (standard definition, expires 12/9/09). --David Horiuchi

Product description
The follow-up to Batman Begins, The Dark Knight reunites director Christopher Nolan and star Christian Bale, who reprises the role of Batman/Bruce Wayne in his continuing war on crime. With the help of Lt. Jim Gordon and District Attorney Harvey Dent, Batman sets out to destroy organized crime in Gotham for good. The triumvirate proves effective, but soon find themselves prey to a rising criminal mastermind known as The Joker, who thrusts Gotham into anarchy and forces Batman closer to crossing the fine line between hero and vigilante. Heath Ledger stars as archvillain The Joker, and Aaron Eckhart plays Dent. Maggie Gyllenhaal joins the cast as Rachel Dawes. Returning from Batman Begins are Gary Oldman as Gordon, Michael Caine as Alfred and Morgan Freeman as Lucius Fox.

Blu-ray features:

  • Movie with Focus Points (picture in picture)
  • Explore your favorite movies through BD-Live™, an interactive gateway to exclusive content
  • 2.40:1 aspect ratio, with IMAX sequences in 1.78:1
  • Gotham Uncovered: Creation of a Scene: Director Christopher Nolan and creative collaborators unmask the incredible detail and planning behind the film, including stunt staging, filming in IMAX®, and the new Bat-suit and Bat-pod.
  • Batman Tech: The incredible gadgets and tools (in HD)
  • Batman Unmasked: The Psychology of The Dark Knight: Delve into the psyche of Bruce Wayne and the world of Batman through real-world psychotherapy (in HD)   
  • Gotham Tonight: 6 episodes of Gotham Cable's premier news program 
  • The Galleries: The Joker cards, concept art, poster art, production stills, trailers and TV spots
  • Digital Copy of the feature film
Stills from The Dark Knight (click for larger image)
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Top Ten DVDs

Jillian Michaels - 30 Day Shred - Studio: Lions Gate Home Ent. Release Date: 03/18/2008 Run time: 60 minutes Rating: Nr
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True Blood: The Complete First Season (HBO Series) - TRUE BLOOD chronicles the backwoods Louisiana town of Bon Temps... where vampires have emerged from the coffin, and no longer need humans for their fix. Sookie Stackhouse (Anna Paquin, Golden Globe(R)-winner for "True Blood", Academy Award®-winner for “The Piano”) works as a waitress at the rural bar Merlotte's. Though outwardly a typical young woman, she keeps a dangerous secret: she has the ability to hear the thoughts of others. Her situation is further complicated when the bar gets its first vampire patron - 173-year old Bill Compton (Steven Moyer, "Quills") - and the two outsiders are immediately drawn to each other. Delivering the best of what audiences have come to expect from Creator and Executive Producer Alan Ball (writer of Oscar®-winning Best Picture “American Beauty”, creator of the Emmy® Award-winning HBO® series “Six Feet Under”), TRUE BLOOD is a dark and sexy tale that boldly delves into the heart - and the neck - of the Deep South.

DVD Features:
Audio Commentary
Documentary
Other

Alan Ball’s True Blood series works well for television, as it has enough sensationalism to tantalize and enough story girth to make the viewer care about the characters. That one can finally invest emotion into monsters, including an undead Civil War victim, a transformer who can shapeshift into various animals, and a female mind reader, speaks volumes about America’s willingness to accept fantasy. Of course, television has always produced good fantasy shows (I Dream of Jeannie), but True Blood’s Southern Goth brand of fun horror is more macabre and more perverse, not to mention gorier, than most shows of its kind to date. Adapted from Charlaine Harris’ Sookie Stackhouse novels, True Blood thrills because of its equal blend in each episode of erotica, humor, tragedy, mystery, and fantasy. 

Set in a rural, swampy Louisiana parrish, the show centers around Sookie Stackhouse (Anna Paquin) and her clan, sweet grandmother Adele (Lois Smith) and air-headed brother Jason (Ryan Kwanten). Illicit love is spawned early on, when Sookie saves vampire Bill Compton (Stephen Moyer) from having his blood stolen in the parking lot of Merlotte’s diner, owned by Sam Merlotte (Sam Trammell) who completes what will form a complex love triangle. As tensions between Sookie’s suitors loosen or tighten, many side plots, such as her African American best friend Tara’s (Rutina Wesley) struggle with an alcoholic, Bible-thumping mother and her brother’s dangerous crush on drug addicted hippie, Amy Burley (Lizzy Caplan), keep one wondering who will succeed in this podunk place. The main tension throughout, however, is a race war waged between vampires and humans. As murders of “fang bangers” occur (human girls who let vampires bite them) and dumb policeman Andy Bellefleur (Chris Bauer) fails to find clues, one sees the metaphorical implications of vampirism and feels deeper resonance with what can be a downright trashy show. Gossip galore, especially about what kinds of babies interbreeding will produce, is rampant. One of the funniest characters is Tara’s flamboyant cousin, Lafayette (Nelsan Ellis), who deals drugs, works as a fry cook, and services the local white politicians, while making sure he’s always up in everyone’s business.

What makes True Blood smarter than pure soap opera is the parallels it draws between its monster mash and actual, familiar societal problems. Sookie and her friends watch the news, where Evangelicals bash vampires and prohibit mixed marriage, and everyone is addicted to V, a.k.a vampire blood, that effects like psychedelic heroin. Even its gore reflects a mix of serious and silly, as vampires explode into red, sticky goop. Though it may not be attempting to qualify for the best vampire footage ever shot, True Blood is as addictive as that substance the town’s youth obsesses over, which is a metaphor in itself. --Trinie Dalton



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24: Season Seven - Studio: Tcfhe Release Date: 05/19/2009 Run time: 1115 minutes Rating: Nr

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Taken (Single-Disc Extended Edition) - Studio: Tcfhe Release Date: 05/12/2009 Run time: 90 minutes Rating: Pg13What could be a skillful but ordinary action flick gets a surprising emotional heft from the presence of Liam Neeson as the hero. Bryan Mills (Neeson) has given up his career as a spy to form a relationship with his estranged teenage daughter--but when, on a trip to Paris, she's kidnapped by slavers, Mills uses all his connections and skills to turn the city of lights upside down and rescue her. Like most of the movies that writer/producer Luc Besson has a hand in (such as La Femme Nikita, The Transporter, Unleashed, and many other French action movies), Taken drips with lurid violence (a bit toned-down to get a PG-13 rating, but there's still plenty of it), deranged sentimentality, and stereotypes of all kinds. But this doesn't stop his movies from being effective thrill-rides, and Taken is no exception. Taken pays just enough attention to the illusion of procedure--making it seem like Mills knows all the right steps to track down his daughter--that the movie cheerfully seduces your suspension of disbelief, despite many plot holes and scenes where Mills doesn't get scratched despite bullets flying in all directions or pretends to be a French policeman despite not speaking French or even adopting a French accent. What holds it all together is Neeson; his gravitas and emotional availability make his character--the usual action fantasy of impossible competence and righteous fury--somehow seem real and relatable. --Bret Fetzer

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Twilight (Two-Disc Special Edition) - Bella Swan (Kristen Stewart) doesn’t expect much when she moves to the small town of Forks, Washington, until she meets the mysterious and handsome Edward Cullen (Robert Pattinson)—a boy who’s hiding a dark secret: he’s a vampire. As their worlds and hearts collide, Edward must battle the bloodlust raging inside him as well as a coterie of undead that would make Bella their prey. Based on the #1 New York Times best-selling sensation by Stephenie Meyer, Twilight adds a dangerous twist to the classic story of star-crossed lovers.

DVD features:
  • Presented in widescreen format only
  • Audio commentary by Catherine Hardwicke, Kristen Stewart, and Robert Pattinson
  • Muse music video: "Super Massive Black Hole"
  • Paramore music video: "Decode"
  • Linkin Park music video: "Leave Out All the Rest"
  • Five extended scenes with director introductions
  • Five deleted scenes with director introductions
  • Seven-part documentary: "The Adventure Begins: The Journey from Page to Screen"
  • Comic-Con "fandom" piece
  • Comic-Con NY sizzle reel
  • Three trailers
  • Penelope trailer
The big-screen adaptation of Twilight, Stephenie Meyer's bestselling vampire romance, is aimed squarely at its key demographic: teen girls whose idea of Prince Charming is a brooding, pale, undead teen who could kill you instantly at any moment. Such a prince is more fascinating than frightening to new girl Bella Swan (Kristen Stewart), who moves to the rainy-gray town of Forks, Wash., to live with her dad (Billy Burke), the local sheriff who's puzzled by a series of "animal attacks." On her first day at school, Bella appears to (visibly) nauseate her lab partner, Edward (Robert Pattinson). Turns out the scent of her blood is this vampire's "brand of heroin," and his struggle not to kill her causes an irresistible pull toward her. Whether he's attracted for the normal reasons or because she smells especially sweet to him is vague in the book and even less clear on-screen; nonetheless, Bella falls hopelessly in love with Edward, which sets her on a dangerous path when a few nomad vampires show up in town, one particularly keen on tracking the human. Directed by Catherine Hardwicke (Thirteen), Twilight is full of funny moments--not all of which are intentional--and the casting, from Stewart to Bella's self-absorbed friend Jessica (Anna Kendrick) is spot-on. The weakest link, unfortunately, is Pattinson. While he certainly looks the part, his Edward could have used an extra injection of testosterone (Pattinson, who is British, used James Dean as a model for his American accent). In scenes where he growls about the temptation to kill those who would harm Bella, or flitting around a forest warning her how dangerous he is, he comes off more like a whimpering puppy than a debonair monster. The good news is, his chemistry with Stewart (particularly in their big kissing scene) is palpable, which, let's face it, is really what matters to Twilight fans most. --Ellen A. Kim

On the DVD
The special features for Twilight kick off with an audio commentary with director Catherine Hardwicke and stars Kristen Stewart and Robert Pattinson. There's some mumbling and groaning from Stewart (one gets the impression that Stewart is quite similar to her reserved character in the film), some standard behind-the-scenes observations from Hardwicke, and a lot of awkward self-deprecating remarks from Pattinson (of their big kiss, he opines: "This is quite difficult 'cause I have a really flat head, and so it's quite difficult to get a correct angle."). What's funny is Pattinson stumping Hardwicke with some basic plot questions, like "Why doesn't James just kill [Bella when she's packing at her house]?" While Hardwicke and Stewart attempt to answer, Pattinson doesn't appear satisfied. The deleted and extended scenes include an additional dream-sequence kiss (rightly cut because it took away from the buildup to their first kiss) and more footage of Victoria (Rachelle Lefevre). The seven-part documentary is a pretty thorough look at the development of the film, including stunts, special effects, and the involvement of author Stephenie Meyer. Another featurette looks at the Comic-Con frenzy; however, it spends no time on how the actors were cast, which would have been fun for fans who did all their own mental casting while reading the books. Also included: three music videos and trailers. --Ellen A. Kim

Twilight at Amazon.com


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Weeds - Season 4 - Everyone’s favorite pot-selling soccer mom, Nancy Botwin, is back in the complete fourth season of the hit series WEEDS. Last time we saw her, Nancy’s business (and house) was going up in smoke. So the Botwin bunch has relocated near the border for a fresh start with some new buds. Life’s looking green again in this subversive and buzz-worthy comedy.


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Gran Torino (Widescreen Edition) - Clint Eastwood's Gran Torino, an unassuming picture shot during a post-production lull on his elaborate period piece Changeling, was quietly rolled out at Christmastime 2008, whereupon it proceeded to blow away all the Oscar-bait behemoths at the box office and win its 78-year-old star the best reviews of his acting career. Both film and performance are consummately sly--coming on with deceptive simplicity, only to evolve into something complex, powerful, and surprisingly tender. Just as Unforgiven was a tragic reflection on Eastwood's legacy in the Western genre, Gran Torino caps and eloquently critiques the urban heritage of Dirty Harry and his violent brethren. And on top of that, the movie becomes a savvy meditation on America in a particular historical moment, racially, economically, spiritually. Call it a "state of the union" message. But call it that with a wry grin.

The latest Dirty Harry is actually a grumpy Walt: Walt Kowalski (Eastwood playing his own age), widower, Korean War veteran, retired auto worker, and the last white resident of his Detroit side street. It's hard to say who irks him more--his blood kin (a pretty lame bunch) or the Hmong families who are his new neighbors. Kowalski's a racist, because it has never occurred to him he shouldn't be. Besides, that's the flipside of the mutual ethnic baiting that serves as coin of affection for him and his working-class buddies. Circumstances--and two young people next door, the feisty Sue (Ahney Her) and her conflicted brother Thao (Bee Vang)--contrive to involve Walt with a new community, and anoint him as its hero after he turns his big guns on some ruffians. The trajectory of this may surprise you--several times over. Eastwood opted to film in economically blighted Detroit--a shrewd decision, but it's his mapping of Walt's world in that classical style of his that really counts. Every incidental corner of lawn, porch, and basement comes to matter--and by all means the workshop/garage that houses the mint-condition Gran Torino which Walt helped build in a more prosperous era. This is a remarkable movie. --Richard T. Jameson
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Jillian Michaels: Banish Fat, Boost Metabolism - Fire up your metabolism with TV's top trainer, Jillian Michaels, and lose big with her fierce formula that adds strength and ab moves to dynamic cardio for increased fat loss. This 40-minute circuit workout blasts your heart rate with challenging intervals to turn up the burn and peel off the pounds. Whether you're just getting started or ready for a hardcore workout, this program will ignite your metabolism and incinerate fat to reveal a ripped, lean body! Fire up your metabolism with TV's top trainer, Jillian Michaels, and lose big with her fierce formula that adds strength and ab moves to dynamic cardio for increased fat loss. This 40-minute circuit workout blasts your heart rate with challenging intervals to turn up the burn and peel off the pounds. Whether you're just getting started or ready for a hardcore workout, this program will ignite your metabolism and incinerate fat to reveal a ripped, lean body!


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He's Just Not That Into You - The baltimore-set movie of interconnecting story arcs deals with the challenges of reading or misreading human behavior. Studio: New Line Home Video Release Date: 06/02/2009 Starring: Drew Barrymore Ben Affleck Run time: 129 minutes Rating: Pg13 Director: Ken KwapisBased on the bestseller by two Sex and the City scribes, He's Just Not That Into You confirms that the HBO series was more than just a television show--it was a cultural institution that spawned tours, catchphrases, fashion trends, and more. Ironically, the resulting film is both smarter and funnier than the big-screen version of Carrie and the gang. Of the nine central characters, the sweet, if clueless Gigi (Big Love's Ginnifer Goodwin) makes the most vivid impression. The Maryland career girl tends to fall for friendly guys, like Conor (Entourage's Kevin Connolly), who are "just not that into" her. At a local watering hole, she meets bar manager Alex (Justin Long, Goodwin's Ed co-star), who sets her straight about the difference between what men say and what they mean, adding that there are exceptions to every rule. Her seemingly settled co-workers, Beth (Jennifer Aniston) and Janine (Jennifer Connelly), have relationship issues of their own: Beth's boyfriend of seven years, Neil (Ben Affleck), doesn't believe in marriage, and Janine's husband, Ben (Bradley Cooper), has a wandering eye... for singer/yoga instructor Anna (Scarlett Johansson). Alt-weekly ad saleswoman Mary (executive producer Drew Barrymore) provides the link between this loose-knit community. An avid Internet dater and full-time technophile, she bemoans the fact that "people don't meet each other organically anymore." At 132 minutes, Ken Kwapis's movie could use a few trims, but he brings these complicated romantic entanglements to a convincing conclusion and the confessions from random passers-by add to the laughs. --Kathleen C. Fennessy
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Valkyrie (Single-Disc Edition) - Studio: Tcfhe/mgm Release Date: 05/19/2009 Run time: 120 minutes Rating: Pg13Unpretentious and dramatically straightforward, Valkyrie is a suspenseful yet ennobling story about the last attempt to assassinate Adolf Hitler prior to the end of World War II. Tom Cruise is effective if a little opaque as hero Colonel Claus von Stauffenberg, who channels his anger at Hitler's atrocities and mismanagement of the war by joining a secret organization bent on killing the Führer. When the outspoken Stauffenberg hits on the idea of linking Hitler's death with an official policy to safeguard Berlin during a government crisis--a contingency plan called "Valkyrie"--the group realizes a post-assassination coup could be covered by rapidly implementing the plan. History tells us the plot failed, of course, and Hitler killed himself months later. But that doesn't stop Cruise or director Bryan Singer from approaching the film as a thinking person's thriller, told from inside the conspirators' camp, where the outcome of their deeds were uncertain for several tense hours.

In the tradition of The Great Escape, Valkyrie is a war movie full of famous faces, including Kenneth Branagh, Terence Stamp, Tom Wilkinson, Bill Nighy and Eddie Izzard. (The lesser-known David Bamber is very good as Hitler, hunched and cracking under pressure.) The film's gravity is offset a bit by the fun of seeing all these actors in a factually-based slice of history, and by a few, interesting stylistic flourishes on Singer's part, including the peculiarly unsettling image of a mosquito sizzled to death in close-up. --Tom Keogh


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Action and Adventure

24: Season Seven - Studio: Tcfhe Release Date: 05/19/2009 Run time: 1115 minutes Rating: Nr

Stills from 24: Season Seven (Click for larger image)


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Taken (Single-Disc Extended Edition) - Studio: Tcfhe Release Date: 05/12/2009 Run time: 90 minutes Rating: Pg13What could be a skillful but ordinary action flick gets a surprising emotional heft from the presence of Liam Neeson as the hero. Bryan Mills (Neeson) has given up his career as a spy to form a relationship with his estranged teenage daughter--but when, on a trip to Paris, she's kidnapped by slavers, Mills uses all his connections and skills to turn the city of lights upside down and rescue her. Like most of the movies that writer/producer Luc Besson has a hand in (such as La Femme Nikita, The Transporter, Unleashed, and many other French action movies), Taken drips with lurid violence (a bit toned-down to get a PG-13 rating, but there's still plenty of it), deranged sentimentality, and stereotypes of all kinds. But this doesn't stop his movies from being effective thrill-rides, and Taken is no exception. Taken pays just enough attention to the illusion of procedure--making it seem like Mills knows all the right steps to track down his daughter--that the movie cheerfully seduces your suspension of disbelief, despite many plot holes and scenes where Mills doesn't get scratched despite bullets flying in all directions or pretends to be a French policeman despite not speaking French or even adopting a French accent. What holds it all together is Neeson; his gravitas and emotional availability make his character--the usual action fantasy of impossible competence and righteous fury--somehow seem real and relatable. --Bret Fetzer

Stills from Taken (Click for larger image)


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Twilight (Two-Disc Special Edition) - Bella Swan (Kristen Stewart) doesn’t expect much when she moves to the small town of Forks, Washington, until she meets the mysterious and handsome Edward Cullen (Robert Pattinson)—a boy who’s hiding a dark secret: he’s a vampire. As their worlds and hearts collide, Edward must battle the bloodlust raging inside him as well as a coterie of undead that would make Bella their prey. Based on the #1 New York Times best-selling sensation by Stephenie Meyer, Twilight adds a dangerous twist to the classic story of star-crossed lovers.

DVD features:
  • Presented in widescreen format only
  • Audio commentary by Catherine Hardwicke, Kristen Stewart, and Robert Pattinson
  • Muse music video: "Super Massive Black Hole"
  • Paramore music video: "Decode"
  • Linkin Park music video: "Leave Out All the Rest"
  • Five extended scenes with director introductions
  • Five deleted scenes with director introductions
  • Seven-part documentary: "The Adventure Begins: The Journey from Page to Screen"
  • Comic-Con "fandom" piece
  • Comic-Con NY sizzle reel
  • Three trailers
  • Penelope trailer
The big-screen adaptation of Twilight, Stephenie Meyer's bestselling vampire romance, is aimed squarely at its key demographic: teen girls whose idea of Prince Charming is a brooding, pale, undead teen who could kill you instantly at any moment. Such a prince is more fascinating than frightening to new girl Bella Swan (Kristen Stewart), who moves to the rainy-gray town of Forks, Wash., to live with her dad (Billy Burke), the local sheriff who's puzzled by a series of "animal attacks." On her first day at school, Bella appears to (visibly) nauseate her lab partner, Edward (Robert Pattinson). Turns out the scent of her blood is this vampire's "brand of heroin," and his struggle not to kill her causes an irresistible pull toward her. Whether he's attracted for the normal reasons or because she smells especially sweet to him is vague in the book and even less clear on-screen; nonetheless, Bella falls hopelessly in love with Edward, which sets her on a dangerous path when a few nomad vampires show up in town, one particularly keen on tracking the human. Directed by Catherine Hardwicke (Thirteen), Twilight is full of funny moments--not all of which are intentional--and the casting, from Stewart to Bella's self-absorbed friend Jessica (Anna Kendrick) is spot-on. The weakest link, unfortunately, is Pattinson. While he certainly looks the part, his Edward could have used an extra injection of testosterone (Pattinson, who is British, used James Dean as a model for his American accent). In scenes where he growls about the temptation to kill those who would harm Bella, or flitting around a forest warning her how dangerous he is, he comes off more like a whimpering puppy than a debonair monster. The good news is, his chemistry with Stewart (particularly in their big kissing scene) is palpable, which, let's face it, is really what matters to Twilight fans most. --Ellen A. Kim

On the DVD
The special features for Twilight kick off with an audio commentary with director Catherine Hardwicke and stars Kristen Stewart and Robert Pattinson. There's some mumbling and groaning from Stewart (one gets the impression that Stewart is quite similar to her reserved character in the film), some standard behind-the-scenes observations from Hardwicke, and a lot of awkward self-deprecating remarks from Pattinson (of their big kiss, he opines: "This is quite difficult 'cause I have a really flat head, and so it's quite difficult to get a correct angle."). What's funny is Pattinson stumping Hardwicke with some basic plot questions, like "Why doesn't James just kill [Bella when she's packing at her house]?" While Hardwicke and Stewart attempt to answer, Pattinson doesn't appear satisfied. The deleted and extended scenes include an additional dream-sequence kiss (rightly cut because it took away from the buildup to their first kiss) and more footage of Victoria (Rachelle Lefevre). The seven-part documentary is a pretty thorough look at the development of the film, including stunts, special effects, and the involvement of author Stephenie Meyer. Another featurette looks at the Comic-Con frenzy; however, it spends no time on how the actors were cast, which would have been fun for fans who did all their own mental casting while reading the books. Also included: three music videos and trailers. --Ellen A. Kim

Twilight at Amazon.com


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Gran Torino (Widescreen Edition) - Clint Eastwood's Gran Torino, an unassuming picture shot during a post-production lull on his elaborate period piece Changeling, was quietly rolled out at Christmastime 2008, whereupon it proceeded to blow away all the Oscar-bait behemoths at the box office and win its 78-year-old star the best reviews of his acting career. Both film and performance are consummately sly--coming on with deceptive simplicity, only to evolve into something complex, powerful, and surprisingly tender. Just as Unforgiven was a tragic reflection on Eastwood's legacy in the Western genre, Gran Torino caps and eloquently critiques the urban heritage of Dirty Harry and his violent brethren. And on top of that, the movie becomes a savvy meditation on America in a particular historical moment, racially, economically, spiritually. Call it a "state of the union" message. But call it that with a wry grin.

The latest Dirty Harry is actually a grumpy Walt: Walt Kowalski (Eastwood playing his own age), widower, Korean War veteran, retired auto worker, and the last white resident of his Detroit side street. It's hard to say who irks him more--his blood kin (a pretty lame bunch) or the Hmong families who are his new neighbors. Kowalski's a racist, because it has never occurred to him he shouldn't be. Besides, that's the flipside of the mutual ethnic baiting that serves as coin of affection for him and his working-class buddies. Circumstances--and two young people next door, the feisty Sue (Ahney Her) and her conflicted brother Thao (Bee Vang)--contrive to involve Walt with a new community, and anoint him as its hero after he turns his big guns on some ruffians. The trajectory of this may surprise you--several times over. Eastwood opted to film in economically blighted Detroit--a shrewd decision, but it's his mapping of Walt's world in that classical style of his that really counts. Every incidental corner of lawn, porch, and basement comes to matter--and by all means the workshop/garage that houses the mint-condition Gran Torino which Walt helped build in a more prosperous era. This is a remarkable movie. --Richard T. Jameson
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Valkyrie (Single-Disc Edition) - Studio: Tcfhe/mgm Release Date: 05/19/2009 Run time: 120 minutes Rating: Pg13Unpretentious and dramatically straightforward, Valkyrie is a suspenseful yet ennobling story about the last attempt to assassinate Adolf Hitler prior to the end of World War II. Tom Cruise is effective if a little opaque as hero Colonel Claus von Stauffenberg, who channels his anger at Hitler's atrocities and mismanagement of the war by joining a secret organization bent on killing the Führer. When the outspoken Stauffenberg hits on the idea of linking Hitler's death with an official policy to safeguard Berlin during a government crisis--a contingency plan called "Valkyrie"--the group realizes a post-assassination coup could be covered by rapidly implementing the plan. History tells us the plot failed, of course, and Hitler killed himself months later. But that doesn't stop Cruise or director Bryan Singer from approaching the film as a thinking person's thriller, told from inside the conspirators' camp, where the outcome of their deeds were uncertain for several tense hours.

In the tradition of The Great Escape, Valkyrie is a war movie full of famous faces, including Kenneth Branagh, Terence Stamp, Tom Wilkinson, Bill Nighy and Eddie Izzard. (The lesser-known David Bamber is very good as Hitler, hunched and cracking under pressure.) The film's gravity is offset a bit by the fun of seeing all these actors in a factually-based slice of history, and by a few, interesting stylistic flourishes on Singer's part, including the peculiarly unsettling image of a mosquito sizzled to death in close-up. --Tom Keogh


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Prison Break: Season 4 - Studio: Tcfhe Release Date: 06/02/2009 Run time: 1071 minutes Rating: Nr
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Quantum of Solace - Studio: Tcfhe/mgm Release Date: 03/24/2009 Run time: 107 minutes Rating: Pg13 Daniel Craig hasn't lost a step since Casino Royale--this James Bond remains dangerous, a man who could earn that license to kill in brutal hand-to-hand combat… but still look sharp in a tailored suit. And Quantum of Solance itself carries on from the previous film like no other 007 movie, with Bond nursing his anger from the Casino Royale storyline and vowing blood revenge on those responsible. For the new plot, we have villain Mathieu Amalric (The Diving Bell and the Butterfly), intent on controlling the water rights in impoverished Third World nations and happy to overthrow a dictator or two to get his way. Olga Kurylenko is very much in the "Bond girl" tradition, but in the Ursula Andress way, not the Denise Richards way. And Judi Dench, Jeffrey Wright, and Giancarlo Giannini are welcome holdovers. If director Marc Forster and the longtime Bond production team seem a little too eager to embrace the continuity-shredding style of the Bourne pictures (especially in a nearly incomprehensible opening car chase), they nevertheless quiet down and get into a dark, concentrated groove soon enough. And the theme song, "Another Way to Die," penned by Jack White and performed by him and Alicia Keys, is actually good (at times Keys seems to be channeling Shirley Bassey--nice). Of course it all comes down to Craig. And he kills. --Robert Horton
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Paul Blart: Mall Cop - In Columbia Pictures' comedy Paul Blart: Mall Cop, Kevin James stars as the title character, a single, suburban dad, trying to make ends meet as a security officer at a New Jersey mall. Though no one else takes his job seriously, Paul considers himself on the front lines of safety. When a heist shuts down the megaplex, Jersey's most formidable mall cop will have to become a real cop to save the day.Attention, shoppers: Former King of Queens star Kevin James makes the successful leap to big screen leading man with this Die Hard meets Home Alone slapstick comedy produced by Adam Sandler. In his most empathetic role since his endearing scene-stealing turn in Hitch, James (who also co-wrote the script) stars as biggest loser Paul Blart, a 10-year veteran of the West Orange, New Jersey shopping mall, where he gets no respect from taunting kids who pelt him with ball pit orbs, or a senior who brazenly violates Bart's strictly enforced speed limit in his motorized wheelchair. The film is slow to get rolling as it lays on the pathos as thick as the peanut butter the lonely, overweight and socially awkward Blart spreads on his pies ("Food fills the cracks in he heart," he tells his mother). But then, a band of cycling, skateboarding thieves presumably recruited from the X games take over the mall on so-called Black Friday, the busiest holiday season shopping day. Blart is "untrained, unarmed, and presents a huge target," but, like a plus-size John McClane on a Segway, he is the wild card determined to stop them and rescue his unrequited crush (Jayma Mays) who has been taken hostage. James carries the film on his massive shoulders (the supporting cast is strictly discount outlet, with comedian Adam Ferrara as a sympathetic cop and Bobby Cannavale from Will & Grace and Third Watch as a bullying SWAT team leader the most familiar faces). He proves himself to be an impressively agile physical comedian and he's game for every body slam, pratfall, and tumble. Rated PG for mild violence, a few profanities, and a couple of gross-out gags, Paul Blart: Mall Cop is less crude than previous Sandler productions, more The Benchwarmers than Deuce Bigalow. --Donald Liebenson

Stills from Paul Blart: Mall Cop (click for larger image)


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Defiance - Studio: Paramount Home Video Release Date: 06/02/2009 Run time: 136 minutes Rating: RThree ferociously committed actors fill the roles of the Bielski brothers, Jewish partisans who escaped into the forests of Eastern Europe during the Second World War. Daniel Craig (taking a break from 007 duty) is Tuvia, the leader of a group of refugees who eventually number over a thousand; Liev Schreiber is Zus, the antagonistic warrior; and Jamie Bell is Asael, a peacemaker no less devoted to the survival of the community. The three performers give life to director Edward Zwick's account of this little-known chapter of Jewish resistance to the Holocaust, which otherwise plays more like a history lesson than a full-blooded movie. The film's best achievement is its strong location work, in Lithuania--as the community makes its home in the forest, the landscape becomes an important player in the drama at hand, and the changing of the seasons is charted with bone-chilling detail. Schreiber manages to get a little wry humor into this otherwise sober enterprise, and Daniel Craig creates an unusual character: a sort of anti-Bond, a hero whose body is all too fallible and whose decision-making is sometimes hesitant or morally compromised. It's a rare hero in a World War II movie that tends to withdraw from scenes rather than stride into them, but that's what Craig does. More than likely, the movie's main achievement will be sending the curious to read the histories of the Bielski brothers and why they matter in the chronicles of the Holocaust. --Robert Horton

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Underworld: Rise of the Lycans - Underworld: Rise of the Lycans delves into the origins of the centuries-old blood feud between the aristocratic vampires, known as Death Dealers, and the barbaric Lycans (werewolves). A young Lycan, Lucian (Michael Sheen), emerges as a powerful leader who rallies the werewolves to rise up against Viktor (Bill Nighy), the cruel vampire king who has persecuted them for hundreds of years. Lucian is joined by his secret lover, the beautiful vampire Sonja (Rhona Mitra), in his battle to free the Lycans from their brutal enslavement.This prequel to Len Wiseman’s Underworld and Underworld: Evolution is distinctively different, especially minus the nimble vampire warrior star, Selene (Kate Beckinsale). Underworld: Rise of the Lycans takes its cues from the vampire/werewolf battles that occur in the other films, but director Patrick Tatopoulos focuses here on the young werewolf Lucian's (Michael Sheen) rise to leadership. Rise of the Lycans is set mostly within the walls of vampire lord Viktor’s (Bill Nighy) castle, so the film’s silver, black, and blue palette reflects a world happening under moonlight. From the outset, when Viktor brings Lucian, the first werewolf, into the world, this villainous bloodsucker’s daughter, Sonja (Rhona Mitra), is smitten with Lucian’s hairy appearance and instinctual intelligence. As years pass, Lucian grows tired of watching his race suffer slavery and imprisonment, and recruits a human named Raze (Kevin Grevioux) to assist rebellion. This archetypal plot is not so riveting, and what carries Underworld: Rise of the Lycans are the battle scenes between vampires and werewolves, which are excitingly fast-paced and brutal. The whole film adopts a medieval battlefield aesthetic that carries an otherwise clichéd story about illicit love and freedom fighting. Some characters, like the traitor vampire Tannis (Steven Mackintosh), also intrigues throughout, as one guesses who he will ally with. Underworld: Rise of the Lycans may not be the finest film in the werewolf and vampire archives independently, but its mixed monstrosity makes it unique and entertaining, especially on a big screen. --Trinie Dalton 


Stills from Underworld: Rise of the Lycans (click for larger image)


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Top Comedy DVDs

Weeds - Season 4 - Everyone’s favorite pot-selling soccer mom, Nancy Botwin, is back in the complete fourth season of the hit series WEEDS. Last time we saw her, Nancy’s business (and house) was going up in smoke. So the Botwin bunch has relocated near the border for a fresh start with some new buds. Life’s looking green again in this subversive and buzz-worthy comedy.


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He's Just Not That Into You - The baltimore-set movie of interconnecting story arcs deals with the challenges of reading or misreading human behavior. Studio: New Line Home Video Release Date: 06/02/2009 Starring: Drew Barrymore Ben Affleck Run time: 129 minutes Rating: Pg13 Director: Ken KwapisBased on the bestseller by two Sex and the City scribes, He's Just Not That Into You confirms that the HBO series was more than just a television show--it was a cultural institution that spawned tours, catchphrases, fashion trends, and more. Ironically, the resulting film is both smarter and funnier than the big-screen version of Carrie and the gang. Of the nine central characters, the sweet, if clueless Gigi (Big Love's Ginnifer Goodwin) makes the most vivid impression. The Maryland career girl tends to fall for friendly guys, like Conor (Entourage's Kevin Connolly), who are "just not that into" her. At a local watering hole, she meets bar manager Alex (Justin Long, Goodwin's Ed co-star), who sets her straight about the difference between what men say and what they mean, adding that there are exceptions to every rule. Her seemingly settled co-workers, Beth (Jennifer Aniston) and Janine (Jennifer Connelly), have relationship issues of their own: Beth's boyfriend of seven years, Neil (Ben Affleck), doesn't believe in marriage, and Janine's husband, Ben (Bradley Cooper), has a wandering eye... for singer/yoga instructor Anna (Scarlett Johansson). Alt-weekly ad saleswoman Mary (executive producer Drew Barrymore) provides the link between this loose-knit community. An avid Internet dater and full-time technophile, she bemoans the fact that "people don't meet each other organically anymore." At 132 minutes, Ken Kwapis's movie could use a few trims, but he brings these complicated romantic entanglements to a convincing conclusion and the confessions from random passers-by add to the laughs. --Kathleen C. Fennessy
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Dead Like Me: The Complete Collection - Disc 1: Dead Like Me: Life After Death

Disc 2: Dead Like Me SSN 1 Disc 1

**PILOT
**Deleted Scenes (30:00)
**Audio Commentary by Cast
**Behind-The-Scenes Featurette
**"The Music of Dead Like Me" Featuring Exec Producer John Masius & Composer Stewart Copeland
**Photo Gallery

Disc 3: Dead Like Me SSN 1 Disc 2

**DEAD GIRL WALKING
**CURIOUS GEORGE
**REPERCUSSIONS
**REAPING HAVOC
**MY ROOM

Disc 4: Dead Like Me SSN 1 Disc 3

**REAPER MADNESS
**A COOK
**SUNDAY MORNINGS
**BUSINESS UNFINISHED

Disc 5: Dead Like Me SSN 1 Disc 4

**THE BICYCLE THEIF
**NIGHTHAWKS
**VACATION
**REST IN PEACE

Disc 6: Dead Like Me SSN 2 Disc 1

**SEND IN THE CLOWN
**THE LEDGER
**GHOST STORY
**THE SHALLOW END

Disc 7: Dead Like Me SSN 2 Disc 2

**HURRY
**IN ESCROW
**RITES OF PASSAGE
**THE ESCAPE ARTIST

Disc 8: Dead Like Me SSN 2 Disc 3

**BE STILL MY HEART
**DEATH DEFYING
**ASHES TO ASHES
**FORGET ME NOT

Disc 9: Dead Like Me SSN 2 Disc 4

**LAST CALL
**ALWAYS
**HAUNTED

**Special Features:
*Deleted Scenes (10:00)
*"Dead Like Me.....Again" Featurette
*"Putting Life Into Death" Featurette
*Photo Gallery

Stills from Dead Like Me: The Complete Collection (Click for larger image)


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Paul Blart: Mall Cop - In Columbia Pictures' comedy Paul Blart: Mall Cop, Kevin James stars as the title character, a single, suburban dad, trying to make ends meet as a security officer at a New Jersey mall. Though no one else takes his job seriously, Paul considers himself on the front lines of safety. When a heist shuts down the megaplex, Jersey's most formidable mall cop will have to become a real cop to save the day.Attention, shoppers: Former King of Queens star Kevin James makes the successful leap to big screen leading man with this Die Hard meets Home Alone slapstick comedy produced by Adam Sandler. In his most empathetic role since his endearing scene-stealing turn in Hitch, James (who also co-wrote the script) stars as biggest loser Paul Blart, a 10-year veteran of the West Orange, New Jersey shopping mall, where he gets no respect from taunting kids who pelt him with ball pit orbs, or a senior who brazenly violates Bart's strictly enforced speed limit in his motorized wheelchair. The film is slow to get rolling as it lays on the pathos as thick as the peanut butter the lonely, overweight and socially awkward Blart spreads on his pies ("Food fills the cracks in he heart," he tells his mother). But then, a band of cycling, skateboarding thieves presumably recruited from the X games take over the mall on so-called Black Friday, the busiest holiday season shopping day. Blart is "untrained, unarmed, and presents a huge target," but, like a plus-size John McClane on a Segway, he is the wild card determined to stop them and rescue his unrequited crush (Jayma Mays) who has been taken hostage. James carries the film on his massive shoulders (the supporting cast is strictly discount outlet, with comedian Adam Ferrara as a sympathetic cop and Bobby Cannavale from Will & Grace and Third Watch as a bullying SWAT team leader the most familiar faces). He proves himself to be an impressively agile physical comedian and he's game for every body slam, pratfall, and tumble. Rated PG for mild violence, a few profanities, and a couple of gross-out gags, Paul Blart: Mall Cop is less crude than previous Sandler productions, more The Benchwarmers than Deuce Bigalow. --Donald Liebenson

Stills from Paul Blart: Mall Cop (click for larger image)


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Marley and Me (Single-Disc Edition) - Studio: Tcfhe Release Date: 03/31/2009 Run time: 110 minutes Rating: PgWhen a dog wriggles his adorable rear end into a human's life, the human will never be the same. And both Marley, the dog, and Marley & Me, the movie, manage to endear themselves deeply despite a few wee flaws. Readers of the John Grogan bestseller already know the raffish charm of the incorrigible yellow lab puppy, Marley, adopted by Grogan and his wife because she's "never seen anything more adorable in my life." But Grogan's simple tale of love, in all its forms, shines on the big screen, thanks to deft comic turns by Jennifer Aniston--in top form here--and Owen Wilson. Their chemistry is utterly natural and believable as Marley's owners, as is their interaction with the very naughty but ultimately irresistible Marley. As Marley grows up, the film follows his escapades--flunking out, spectacularly, from puppy training at the hands of a wickedly funny Kathleen Turner. And as Marley grows up, John and Jenny build their life together and weather some tough emotional blows. Like My Dog Skip, which it resembles in its affection for its subject, Marley & Me is a tear-jerker, but in the sweetest, most lovely way--because it, and its four-legged star, have wriggled into our hearts. Good boy. --A.T. Hurley

Stills from Marley and Me (Click for larger image)


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Burn Notice: Season Two -
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Bolt (Single-Disc Edition) - Bolt (voiced by John Travolta) is the star of the biggest show in Hollywood. The only problem is, he thinks the whole thing is real. When the super dog is accidentally shipped to New York City and separated from Penny (voiced by Miley Cyrus), his beloved co-star and owner, Bolt springs into action to find his way home. Together with his hilarious new sidekicks  Rhino (voiced by Mark Walton) – Bolt’s #1 Fan – and a street-smart cat named Mittens (voiced by Susie Essman), Bolt sets off on an amazing journey where he discovers he doesn’t need super powers to be a hero.Bolt is a funny animated film about a dog who thinks he has superpowers. It is also a movie about friendship, perseverance, and the power of believing in oneself. Everyone knows that superheroes on television are not real, but super-dog Bolt (John Travolta) is a canine star who has been carefully raised to believe that he really possesses superpowers. Bolt is completely devoted to his human co-star Penny (Miley Cyrus), so when Penny is captured by the evil Dr. Calico (Malcolm McDowell) in their latest television episode and then Bolt accidentally gets loose in the real world, Bolt sets off on a journey to save her. Bolt is confounded when his super powers are suddenly ineffective, but inspiration strikes and Bolt quickly discovers the mysterious, power-stealing effects of Styrofoam packing peanuts. An encounter with alley cat Mittens (Susie Essman) gives Bolt some eye-opening lessons about being a real dog in the real world, while star-struck, ball-enclosed hamster Rhino (Mark Walton) revels in the opportunity to serve as Bolt's sidekick in the quest to rescue Penny. The trio traverses the United States from waffle house to waffle house on a hysterical quest to find Penny and prove that the relationship between Penny and Bolt is real. In the end, Bolt, Mittens, and Rhino learn that everyone is special in their own way and they discover the true power of believing in oneself and one's friends. Select theaters showed Bolt in Real-D 3-D which features some nice effects, but the film is probably equally enjoyable in the traditional format. A fun film with a nice message and a huge dose of cute, Bolt is good entertainment for the entire family. --Tami Horiuchi

Stills from Bolt (Click for larger image)


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Bride Wars - Studio: Tcfhe Release Date: 04/28/2009 Run time: 90 minutes Rating: Pg

How important is the perfect wedding? Emma (Anne Hathaway) and Liv (Kate Hudson) have been best friends since childhood and each has always dreamed of an extravagant wedding at the Plaza hotel. When both friends get engaged in the same week, they rush to the exclusive wedding planner Marion St. Claire (Candice Bergen) to book the perfect weddings at the Plaza hotel. The reservations get mixed up and both weddings end up scheduled on the same day and, since there are no other suitable openings available at the Plaza, the friends find themselves in the impossible situation of having to decide who will sacrifice her long-held dream and change venues. It turns out that neither woman is willing to give up her plans for a perfect wedding and the friends turn against one another in a hilarious battle that results in everything from blue hair to rumors of pregnancy and embarrassing home videos accompanying one bride's walk down the aisle. Can even a life-long friendship survive the emotional turmoil of two weddings gone wrong? Bride Wars is an amusing look at the trials of friendship and love that's sure to inspire laughter and perhaps even a tear or two. --Tami Horiuchi

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Fanboys - Get ready for the comedy adventure that’s “smart, funny, and tailor-made for the inner-Jedi in all of us” (Pete Hammond, Hollywood.com). In 1998, four childhood buddies with a shared love of all things Star Wars reunite for one final, hilarious odyssey. Their insane plan: a cross-country road trip to storm George Lucas’ Skywalker Ranch and steal a copy of Episode I before it’s released. With the police, a crew of angry Trekkies, and a crazy pimp hot on their trail, what could possibly go wrong? Featuring Dan Fogler (Balls of Fury), Jay Baruchel (Tropic Thunder), and Kristen Bell (Forgetting Sarah Marshall), plus a slew of hysterical surprise cameos, “the Force IS strong with this one!” (Brian Gallagher, MovieWeb)

Stills from Fanboys (Click for larger image)

Low on inspiration and laughs, Fanboys is a movie that should have been made years ago. Christopher Marquette plays Linus, a would-be heir to a used-car dealership and former loser who rejects his high-school buddies' continuing preoccupation with childish things, including George Lucas' Star Wars saga. When his lifelong friend, Eric (Sam Huntington), is diagnosed in 1999 with a terminal illness, however, Linus joins geeky Windows (Jay Baruchel), wildman Hutch (Dan Fogler) and comely Zoe (Kirsten Bell) on a cross-country trip to steal a print of Star Wars: Phantom Menace from Lucas' Skywalker Ranch for Eric to have a look. Along the way, of course, sundry disasters and complications await, everything from getting caught in a gay biker bar to a confrontation with a Vegas pimp (Seth Rogen, genuinely funny). The misadventures at Skywalker include a few good moments, especially when the guards look like characters Lucas might have considered for either of the two trilogies. The best comic material concerns hostilities between Star Wars fanatics and Star Trek Trekkers, including a scene set in the Ohio hometown of James Tiberius Kirk. A few good cameos include William Shatner, Carrie Fisher, and Kevin Smith and Jason Mewes. --Tom Keogh
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Boston Legal: Season Five - Studio: Tcfhe Release Date: 05/05/2009 Run time: 607 minutes Rating: Nr
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Drama

True Blood: The Complete First Season (HBO Series) - TRUE BLOOD chronicles the backwoods Louisiana town of Bon Temps... where vampires have emerged from the coffin, and no longer need humans for their fix. Sookie Stackhouse (Anna Paquin, Golden Globe(R)-winner for "True Blood", Academy Award®-winner for “The Piano”) works as a waitress at the rural bar Merlotte's. Though outwardly a typical young woman, she keeps a dangerous secret: she has the ability to hear the thoughts of others. Her situation is further complicated when the bar gets its first vampire patron - 173-year old Bill Compton (Steven Moyer, "Quills") - and the two outsiders are immediately drawn to each other. Delivering the best of what audiences have come to expect from Creator and Executive Producer Alan Ball (writer of Oscar®-winning Best Picture “American Beauty”, creator of the Emmy® Award-winning HBO® series “Six Feet Under”), TRUE BLOOD is a dark and sexy tale that boldly delves into the heart - and the neck - of the Deep South.

DVD Features:
Audio Commentary
Documentary
Other

Alan Ball’s True Blood series works well for television, as it has enough sensationalism to tantalize and enough story girth to make the viewer care about the characters. That one can finally invest emotion into monsters, including an undead Civil War victim, a transformer who can shapeshift into various animals, and a female mind reader, speaks volumes about America’s willingness to accept fantasy. Of course, television has always produced good fantasy shows (I Dream of Jeannie), but True Blood’s Southern Goth brand of fun horror is more macabre and more perverse, not to mention gorier, than most shows of its kind to date. Adapted from Charlaine Harris’ Sookie Stackhouse novels, True Blood thrills because of its equal blend in each episode of erotica, humor, tragedy, mystery, and fantasy. 

Set in a rural, swampy Louisiana parrish, the show centers around Sookie Stackhouse (Anna Paquin) and her clan, sweet grandmother Adele (Lois Smith) and air-headed brother Jason (Ryan Kwanten). Illicit love is spawned early on, when Sookie saves vampire Bill Compton (Stephen Moyer) from having his blood stolen in the parking lot of Merlotte’s diner, owned by Sam Merlotte (Sam Trammell) who completes what will form a complex love triangle. As tensions between Sookie’s suitors loosen or tighten, many side plots, such as her African American best friend Tara’s (Rutina Wesley) struggle with an alcoholic, Bible-thumping mother and her brother’s dangerous crush on drug addicted hippie, Amy Burley (Lizzy Caplan), keep one wondering who will succeed in this podunk place. The main tension throughout, however, is a race war waged between vampires and humans. As murders of “fang bangers” occur (human girls who let vampires bite them) and dumb policeman Andy Bellefleur (Chris Bauer) fails to find clues, one sees the metaphorical implications of vampirism and feels deeper resonance with what can be a downright trashy show. Gossip galore, especially about what kinds of babies interbreeding will produce, is rampant. One of the funniest characters is Tara’s flamboyant cousin, Lafayette (Nelsan Ellis), who deals drugs, works as a fry cook, and services the local white politicians, while making sure he’s always up in everyone’s business.

What makes True Blood smarter than pure soap opera is the parallels it draws between its monster mash and actual, familiar societal problems. Sookie and her friends watch the news, where Evangelicals bash vampires and prohibit mixed marriage, and everyone is addicted to V, a.k.a vampire blood, that effects like psychedelic heroin. Even its gore reflects a mix of serious and silly, as vampires explode into red, sticky goop. Though it may not be attempting to qualify for the best vampire footage ever shot, True Blood is as addictive as that substance the town’s youth obsesses over, which is a metaphor in itself. --Trinie Dalton



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24: Season Seven - Studio: Tcfhe Release Date: 05/19/2009 Run time: 1115 minutes Rating: Nr

Stills from 24: Season Seven (Click for larger image)


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Twilight (Two-Disc Special Edition) - Bella Swan (Kristen Stewart) doesn’t expect much when she moves to the small town of Forks, Washington, until she meets the mysterious and handsome Edward Cullen (Robert Pattinson)—a boy who’s hiding a dark secret: he’s a vampire. As their worlds and hearts collide, Edward must battle the bloodlust raging inside him as well as a coterie of undead that would make Bella their prey. Based on the #1 New York Times best-selling sensation by Stephenie Meyer, Twilight adds a dangerous twist to the classic story of star-crossed lovers.

DVD features:
  • Presented in widescreen format only
  • Audio commentary by Catherine Hardwicke, Kristen Stewart, and Robert Pattinson
  • Muse music video: "Super Massive Black Hole"
  • Paramore music video: "Decode"
  • Linkin Park music video: "Leave Out All the Rest"
  • Five extended scenes with director introductions
  • Five deleted scenes with director introductions
  • Seven-part documentary: "The Adventure Begins: The Journey from Page to Screen"
  • Comic-Con "fandom" piece
  • Comic-Con NY sizzle reel
  • Three trailers
  • Penelope trailer
The big-screen adaptation of Twilight, Stephenie Meyer's bestselling vampire romance, is aimed squarely at its key demographic: teen girls whose idea of Prince Charming is a brooding, pale, undead teen who could kill you instantly at any moment. Such a prince is more fascinating than frightening to new girl Bella Swan (Kristen Stewart), who moves to the rainy-gray town of Forks, Wash., to live with her dad (Billy Burke), the local sheriff who's puzzled by a series of "animal attacks." On her first day at school, Bella appears to (visibly) nauseate her lab partner, Edward (Robert Pattinson). Turns out the scent of her blood is this vampire's "brand of heroin," and his struggle not to kill her causes an irresistible pull toward her. Whether he's attracted for the normal reasons or because she smells especially sweet to him is vague in the book and even less clear on-screen; nonetheless, Bella falls hopelessly in love with Edward, which sets her on a dangerous path when a few nomad vampires show up in town, one particularly keen on tracking the human. Directed by Catherine Hardwicke (Thirteen), Twilight is full of funny moments--not all of which are intentional--and the casting, from Stewart to Bella's self-absorbed friend Jessica (Anna Kendrick) is spot-on. The weakest link, unfortunately, is Pattinson. While he certainly looks the part, his Edward could have used an extra injection of testosterone (Pattinson, who is British, used James Dean as a model for his American accent). In scenes where he growls about the temptation to kill those who would harm Bella, or flitting around a forest warning her how dangerous he is, he comes off more like a whimpering puppy than a debonair monster. The good news is, his chemistry with Stewart (particularly in their big kissing scene) is palpable, which, let's face it, is really what matters to Twilight fans most. --Ellen A. Kim

On the DVD
The special features for Twilight kick off with an audio commentary with director Catherine Hardwicke and stars Kristen Stewart and Robert Pattinson. There's some mumbling and groaning from Stewart (one gets the impression that Stewart is quite similar to her reserved character in the film), some standard behind-the-scenes observations from Hardwicke, and a lot of awkward self-deprecating remarks from Pattinson (of their big kiss, he opines: "This is quite difficult 'cause I have a really flat head, and so it's quite difficult to get a correct angle."). What's funny is Pattinson stumping Hardwicke with some basic plot questions, like "Why doesn't James just kill [Bella when she's packing at her house]?" While Hardwicke and Stewart attempt to answer, Pattinson doesn't appear satisfied. The deleted and extended scenes include an additional dream-sequence kiss (rightly cut because it took away from the buildup to their first kiss) and more footage of Victoria (Rachelle Lefevre). The seven-part documentary is a pretty thorough look at the development of the film, including stunts, special effects, and the involvement of author Stephenie Meyer. Another featurette looks at the Comic-Con frenzy; however, it spends no time on how the actors were cast, which would have been fun for fans who did all their own mental casting while reading the books. Also included: three music videos and trailers. --Ellen A. Kim

Twilight at Amazon.com


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Gran Torino (Widescreen Edition) - Clint Eastwood's Gran Torino, an unassuming picture shot during a post-production lull on his elaborate period piece Changeling, was quietly rolled out at Christmastime 2008, whereupon it proceeded to blow away all the Oscar-bait behemoths at the box office and win its 78-year-old star the best reviews of his acting career. Both film and performance are consummately sly--coming on with deceptive simplicity, only to evolve into something complex, powerful, and surprisingly tender. Just as Unforgiven was a tragic reflection on Eastwood's legacy in the Western genre, Gran Torino caps and eloquently critiques the urban heritage of Dirty Harry and his violent brethren. And on top of that, the movie becomes a savvy meditation on America in a particular historical moment, racially, economically, spiritually. Call it a "state of the union" message. But call it that with a wry grin.

The latest Dirty Harry is actually a grumpy Walt: Walt Kowalski (Eastwood playing his own age), widower, Korean War veteran, retired auto worker, and the last white resident of his Detroit side street. It's hard to say who irks him more--his blood kin (a pretty lame bunch) or the Hmong families who are his new neighbors. Kowalski's a racist, because it has never occurred to him he shouldn't be. Besides, that's the flipside of the mutual ethnic baiting that serves as coin of affection for him and his working-class buddies. Circumstances--and two young people next door, the feisty Sue (Ahney Her) and her conflicted brother Thao (Bee Vang)--contrive to involve Walt with a new community, and anoint him as its hero after he turns his big guns on some ruffians. The trajectory of this may surprise you--several times over. Eastwood opted to film in economically blighted Detroit--a shrewd decision, but it's his mapping of Walt's world in that classical style of his that really counts. Every incidental corner of lawn, porch, and basement comes to matter--and by all means the workshop/garage that houses the mint-condition Gran Torino which Walt helped build in a more prosperous era. This is a remarkable movie. --Richard T. Jameson
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He's Just Not That Into You - The baltimore-set movie of interconnecting story arcs deals with the challenges of reading or misreading human behavior. Studio: New Line Home Video Release Date: 06/02/2009 Starring: Drew Barrymore Ben Affleck Run time: 129 minutes Rating: Pg13 Director: Ken KwapisBased on the bestseller by two Sex and the City scribes, He's Just Not That Into You confirms that the HBO series was more than just a television show--it was a cultural institution that spawned tours, catchphrases, fashion trends, and more. Ironically, the resulting film is both smarter and funnier than the big-screen version of Carrie and the gang. Of the nine central characters, the sweet, if clueless Gigi (Big Love's Ginnifer Goodwin) makes the most vivid impression. The Maryland career girl tends to fall for friendly guys, like Conor (Entourage's Kevin Connolly), who are "just not that into" her. At a local watering hole, she meets bar manager Alex (Justin Long, Goodwin's Ed co-star), who sets her straight about the difference between what men say and what they mean, adding that there are exceptions to every rule. Her seemingly settled co-workers, Beth (Jennifer Aniston) and Janine (Jennifer Connelly), have relationship issues of their own: Beth's boyfriend of seven years, Neil (Ben Affleck), doesn't believe in marriage, and Janine's husband, Ben (Bradley Cooper), has a wandering eye... for singer/yoga instructor Anna (Scarlett Johansson). Alt-weekly ad saleswoman Mary (executive producer Drew Barrymore) provides the link between this loose-knit community. An avid Internet dater and full-time technophile, she bemoans the fact that "people don't meet each other organically anymore." At 132 minutes, Ken Kwapis's movie could use a few trims, but he brings these complicated romantic entanglements to a convincing conclusion and the confessions from random passers-by add to the laughs. --Kathleen C. Fennessy
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Prison Break: Season 4 - Studio: Tcfhe Release Date: 06/02/2009 Run time: 1071 minutes Rating: Nr
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The Curious Case of Benjamin Button (Single-Disc Edition) - Studio: Paramount Home Video Release Date: 05/05/2009 Run time: 165 minutes Rating: Pg13The technical dazzle of The Curious Case of Benjamin Button is a truly astonishing thing to behold: this story of a man who ages backwards requires Brad Pitt to begin life as a tiny elderly man, then blossom into middle age, and finally, wisely, become young. How director David Fincher--with makeup artists, special-effects wizards, and body doubles--achieves this is one of the main sources of fascination in the early reels of the movie. The premise is loosely borrowed from an F. Scott Fitzgerald story (and bears an even stronger resemblance to Andrew Sean Greer's novel The Confessions of Max Tivoli), with young/old Benjamin growing up in New Orleans, meeting the girl of his dreams (Cate Blanchett), and sharing a few blissful years with her until their different aging agendas send them in opposite directions. The love story takes over the second half of the picture, as Eric Roth's script begins to resemble his work on Forrest Gump. This is too bad, because Benjamin's early life is a wonderfully picaresque journey, especially a set of midnight liaisons with a Russian lady (Tilda Swinton) in an atmospheric hotel. Fincher observes all this with an entomologist's eye, cool and exacting, which keeps the material from getting all gooey. Still, the Hurricane Katrina framing story feels put-on, and the movie lets Benjamin slide offscreen during its later stages--curious indeed.--Robert Horton




Stills from The Curious Case of Benjamin Button (Click for larger image)


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Dead Like Me: The Complete Collection - Disc 1: Dead Like Me: Life After Death

Disc 2: Dead Like Me SSN 1 Disc 1

**PILOT
**Deleted Scenes (30:00)
**Audio Commentary by Cast
**Behind-The-Scenes Featurette
**"The Music of Dead Like Me" Featuring Exec Producer John Masius & Composer Stewart Copeland
**Photo Gallery

Disc 3: Dead Like Me SSN 1 Disc 2

**DEAD GIRL WALKING
**CURIOUS GEORGE
**REPERCUSSIONS
**REAPING HAVOC
**MY ROOM

Disc 4: Dead Like Me SSN 1 Disc 3

**REAPER MADNESS
**A COOK
**SUNDAY MORNINGS
**BUSINESS UNFINISHED

Disc 5: Dead Like Me SSN 1 Disc 4

**THE BICYCLE THEIF
**NIGHTHAWKS
**VACATION
**REST IN PEACE

Disc 6: Dead Like Me SSN 2 Disc 1

**SEND IN THE CLOWN
**THE LEDGER
**GHOST STORY
**THE SHALLOW END

Disc 7: Dead Like Me SSN 2 Disc 2

**HURRY
**IN ESCROW
**RITES OF PASSAGE
**THE ESCAPE ARTIST

Disc 8: Dead Like Me SSN 2 Disc 3

**BE STILL MY HEART
**DEATH DEFYING
**ASHES TO ASHES
**FORGET ME NOT

Disc 9: Dead Like Me SSN 2 Disc 4

**LAST CALL
**ALWAYS
**HAUNTED

**Special Features:
*Deleted Scenes (10:00)
*"Dead Like Me.....Again" Featurette
*"Putting Life Into Death" Featurette
*Photo Gallery

Stills from Dead Like Me: The Complete Collection (Click for larger image)


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Slumdog Millionaire - A mumbai teen who grew up in the slums becomes a contestant on the indian version of who wants to be a millionaire?. He is arrested for cheating & while being interrogated events from his life history are shown which explain why he knows the answers. 1/3 is in hindi with english subtitles-rest in english Studio: Tcfhe Release Date: 03/31/2009 Starring: Dev Patel Run time: 120 minutes Rating: R Director: Danny Boyle/loveleen Tandan
Danny Boyle (Sunshine) directed this wildly energetic, Dickensian drama about the desultory life and times of an Indian boy whose bleak, formative experiences lead to an appearance on his country's version of "Who Wants to Be a Millionaire?" Jamal (played as a young man by Dev Patel) and his brother are orphaned as children, raising themselves in various slums and crime-ridden neighorhoods and falling in, for a while, with a monstrous gang exploiting children as beggars and prostitutes. Driven by his love for Latika (Freida Pinto), Jamal, while a teen, later goes on a journey to rescue her from the gang's clutches, only to lose her again to another oppressive fate as the lover of a notorious gangster.

Running parallel with this dark yet irresistible adventure, told in flashback vignettes, is the almost inexplicable sight of Jamal winning every challenge on "Who Wants to Be a Millionaire?," a strong showing that leads to a vicious police interrogation. As Jamal explains how he knows the answer to every question on the show as the result of harsh events in his knockabout life, the chaos of his existence gains shape, perspective and soulfulness. The film's violence is offset by a mesmerizing exotica shot and edited with a great whoosh of vitality. Boyle successfully sells the story's most unlikely elements with nods to literary and cinematic conventions that touch an audience's heart more than its head. --Tom Keogh



Beyond Slumdog Millionaire on DVD


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The Closer: The Complete Fourth Season - An offbeat personality, a tough-as-nails approach and a track record as one of the country's leading investigators: These are just a few of the traits exhibited by Deputy Police Chief Brenda Leigh Johnson. For the Atlanta transplant heading up the Priority Homicide Division of the Los Angeles Police Department, her position on this elite detective squad, which handles high-profile cases of a sensitive nature, is a tenuous balancing act. She faces antagonistic roadblocks, even from her own peers within the department, and must manage a team that remains wary of her unconventional style."Oh, for heaven's sake, it is a head!" The Southern drawl and mild exasperation are by now familiar to TV crime buffs: Kyra Sedgwick's steel-magnolia-with-a-badge, Deputy Chief Brenda Leigh Johnson. The fourth season of The Closer finds Sedgwick in super form, as the scattered, ditzy mama's girl with a weakness for junk food and a singular focus when it comes to getting perps to talk. Yet the strength of The Closer goes far beyond just Sedgwick, as formidable as she is. The ensemble cast is also stellar, and very human and believable. Johnson's fellow cops (among whom Johnson is, finally, one of the boys, albeit in frilly skirts) are fleshed-out and battle their own demons. And this season viewers get to know Johnson's fiancé, the FBI agent Fritz Howard (Jon Tenney), much better, along with his "psychic" sister (the unforgettable Amy Sedaris), and Brenda's doting parents, as both families prepare for the happy couple's impending nuptials--if serial killers and terrorist plots will only give them a little break. The boxed set includes the full season, along with delicious extras, including an unforgettable blooper reel (the cast really does seem to have a blast shooting this series, as viewers have long suspected; and don't miss guest star Jennifer Coolidge's R-rated ad lib café scene). There's also an informative featurette with Corey Reynolds (the hunky Sgt. Gabriel) and LAPD Det. Mike Berchem, an adviser to the series; deleted scenes, and more. Thank you--thank you so much! --A.T. Hurley
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