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Top Ten Music Videos
The Little Mermaid (Two-Disc Platinum Edition) - Walt Disney Home Entertainment
- Animated, Color, DVD-Video, Special Edition, NTSC
From the moment that Prince Eric's ship emerged from the fog in the opening credits it was apparent that Disney had somehow, suddenly recaptured that "magic" that had been dormant for thirty years. In the tale of a headstrong young mermaid who yearns to "spend a day, warm on the sand," Ariel trades her voice to Ursula, the Sea Witch (classically voiced by Pat Carroll), for a pair of legs. Ariel can only succeed if she receives true love's kiss in a few day's time and she needs all the help she can from a singing crab named Sebastian, a loudmouth seagull, and a flounder. The lyrics and music by Howard Ashman and Alan Menken are top form: witty and relevant, and they advance the story (go on, hum a few bars of "Under the Sea"). Mermaid put animation back on the studio's "to do" list and was responsible for ushering Beauty and the Beast to theaters. A modern Disney classic. --Keith Simanton Release Date: 03 October, 2006DVD
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Eric Clapton: Crossroads Guitar Festival 2007 - Rhino Records
- Dolby, DTS Surround Sound, Closed-captioned
A lot of good (and some great) music for a worthy cause takes center stage once again as Eric Clapton hosts the second edition of his Crossroads Guitar Festival, a benefit for his Crossroads Centre rehab facility in Antigua and a near embarrassment of six-string riches occupying two discs. Staged in suburban Chicago in July, 2007, it features several of the same players who were at the first concert (2004, in Dallas), including Robert Cray, Buddy Guy, B.B. King, John Mayer, Vince Gill, John McLaughlin, and Robert Randolph. They're all in fine form, but it's those appearing for the first time who make the biggest impressions. Derek Trucks, who performs on his own, with his wife (Susan Tedeschi, herself an excellent blues guitarist), and backing several other artists (including a frighteningly decrepit-looking Johnny Winter), is a strikingly versatile young player. On the other end of the generational spectrum, the veteran Albert Lee spins out a series of stupefyingly swift licks on "Country Boy," while Jeff Beck is, well, Jeff Beck, at age 63 still inarguably one of the most original musicians to ever strap on a Stratocaster. While most of the others are content to play straight blues or blues-derived rock, Beck sounds as if he's riding a spaceship with strings, wringing sounds out of his instrument that defy understanding, let alone imitation; backed by ace drummer Vinnie Colaiuta and 22-year-old Tal Wilkenfeld, who may be the most exciting electric bassist to emerge since Jaco Pastorius, Beck delivers versions of "'Cause We've Ended as Lovers" and "Big Block" that are the highlights of the show. Elsewhere, Clapton, as is his wont, rises to the occasion in the presence of his peers and plays with considerable passion, even if his "reunion" with Steve Winwood lacks fire (mostly due to the lackluster nature of their Blind Faith-era material, other than the lovely "Can't Find My Way Home"). In the end, one might wish for more good songs, as opposed to opportunities for extended soloing, but even diehard axe-heads will surely be satiated after some four hours of hot licks. As for everyone else, well, that's why God invented the fast forward button. --Sam GrahamRelease Date: 20 November, 2007DVD
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9 songs - Unrated Full Uncut Version - Tartan Video
- AC-3, Closed-captioned, Color, Director's Cut, Dolby, DTS Surround Sound, DVD-Video, Subtitled, Widescreen, NTSC
Maverick director Michael Winterbottom wondered about the double standard of why novels can have explicit sex scenes and be legit and films could not. So his short film of a relationship based solely on sex and a love for music is the result of that thought. If the definition of a porn film is to shoot actors performing graphic sex scenes for real, then 9 Songs qualifies. It certainly doesn't feel or look like your standard whoopdee-do XXX feature. It's as glossy and low-budget arty as Winterbottom's 24 Hour Party People or I Want You. But yeah, Matt and Lisa do everything to each other, and the actors are not "just acting" in some of the sex scenes. No matter how landmark the movie might be, there is not much story here (at least a book with hot sex often has a good story to it). Lisa is an American drifter in London who hooks up with Matt, a scientist who studies glaciers in Antarctica. They have sex and visit nine rock concerts including Franz Ferdinand and The Dandy Warhols. As advertised, you can't find these musical performances anywhere else, but we just see them from way back in the crowd. The film has an essence of how someone can find bliss in another person's body, and the emotional, magical weight that can hold over you. But that spell doesn't last. Since the sex is real, Winterbottom had to cast unknown actors, and they really don't make an impression, especially with the lack of story. --Doug ThomasRelease Date: 22 November, 2005DVD
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Live In Las Vegas- A New Day.. - Sony
- DVD-Video, Live, NTSC
If you were one of the handful of folks who missed Céline Dion's mega-run in Las Vegas, fear not: Céline Dion: A New Day is a riveting, sumptuous front-row seat to the whole extravagant experience. As concert DVDs go, this is a show of a lifetime, nearly six hours featuring not only no-expenses-spared production values and every song from Dion's famed show, but priceless extras as well. Dion's substantial voice is in fine form, and sparkles on signature tunes like "A New Day Has Come," "The Power of Love," and of course the theme from Titanic, "My Heart Will Go On" (and Dion-watchers will note that she's thankfully dialed back the breast-beating that used to accompany this song). But as impressive as the performances are--and they include the talented gymnasts, dancers, and backup singers who work as a Cirque du Soleil-style ensemble--the set's most memorable moments are found in the personal footage and extras. Dion comes across as truly humble and approachable, with a wicked sense of humor and real compassion for her hard-working staff and her fans. There are sweet, intimate moments of Dion with her husband and son, as well as telling scenes that show her true resourcefulness (girlfriend does her own makeup!). The many docs include one on the building of her special theater and the building of the show from the ground up. "If you're going to gamble," says Dion's manager and husband, René Angélil, "Vegas is the place to do it." Ladies and gentlemen, we have a winner. --A.T. Hurley Release Date: 11 December, 2007 DVD
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Help! - Capitol
- Anamorphic, Color, DTS Surround Sound, Widescreen, NTSC
After the worldwide success of A Hard Day's Night, the Beatles and director Richard Lester reunited for a follow-up film, Eight Arms to Hold You. Well, that wasn't the final title; a pleading Lennon-McCartney tune provided the catchier handle: Help! A loose semispoof of the globe-trotting James Bond pictures, Help! has always been considered a somewhat disorganized comedown from its predecessor; but it presents "the famous Beatles" even more clearly as the English cousins of the Marx Brothers. The plot has an Eastern religious cult declaring that the new ring on Ringo's finger is the key element in a human sacrifice; they will stop at nothing to obtain it. Meanwhile, a mad scientist (crazed Victor Spinetti, who also appeared in A Hard Day's Night and Magical Mystery Tour) believes that if he has the ring, he could--dare we say it?--rule the world. The songs, including "Ticket to Ride" and "You've Got to Hide Your Love Away," are filmed with gleeful ingenuity, in locations such as the Bahamas, an Austrian ski resort, and the Salisbury Plain. The relentless nonsense becomes nearly the equivalent of a swinging-'60s Alice in Wonderland: for instance, Paul shrinks to the size of a gum wrapper, John fishes a season ticket out of his soup, George wears a top hat on the ski slopes, the lads sing the "Ode to Joy" to a lion. Oh, and the film is dedicated to Elias Howe, "who in 1846 invented the sewing machine." Brilliant. --Robert Horton Release Date: 06 November, 2007DVD
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The Order - 20th Century Fox
- Anamorphic, Closed-captioned, Color, Dolby, DVD-Video, Full Screen, Subtitled, Widescreen, NTSC
Writer-director Brian Helgeland tried something different with The Order, and surely that counts for something. This brooding supernatural thriller was immediately dismissed by critics, and it's easy to see why it flopped: it's full of solemn, quasi-religious ruminations, it's murky in both visual and thematic content, and it demands the viewer's focused attention, which amounts to pissing in the shallow pool of big-studio filmmaking. And yet those qualities also give The Order some modest cult potential, as it tells the story of Alex (Heath Ledger, star of Helgeland's A Knight's Tale), a rebellious priest from an arcane fringe of Catholicism, who investigates the death of his excommunicated mentor and discovers the existence of a modern day "sin eater," capable of cleansing souls of evil, who has chosen Alex as his would-be successor. A troubled love interest ( Knight's Tale costar Shannyn Sossamon) and an evil cardinal (Peter Weller) offer hope and damnation, respectively, but it's up to individual viewers to decide if The Order offers anything of lasting interest. --Jeff ShannonRelease Date: 30 December, 2003DVD
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New!
The Little Mermaid (Two-Disc Platinum Edition) - Walt Disney Home Entertainment
- Animated, Color, DVD-Video, Special Edition, NTSC
From the moment that Prince Eric's ship emerged from the fog in the opening credits it was apparent that Disney had somehow, suddenly recaptured that "magic" that had been dormant for thirty years. In the tale of a headstrong young mermaid who yearns to "spend a day, warm on the sand," Ariel trades her voice to Ursula, the Sea Witch (classically voiced by Pat Carroll), for a pair of legs. Ariel can only succeed if she receives true love's kiss in a few day's time and she needs all the help she can from a singing crab named Sebastian, a loudmouth seagull, and a flounder. The lyrics and music by Howard Ashman and Alan Menken are top form: witty and relevant, and they advance the story (go on, hum a few bars of "Under the Sea"). Mermaid put animation back on the studio's "to do" list and was responsible for ushering Beauty and the Beast to theaters. A modern Disney classic. --Keith Simanton Release Date: 03 October, 2006DVD
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Eric Clapton: Crossroads Guitar Festival 2007 - Rhino Records
- Dolby, DTS Surround Sound, Closed-captioned
A lot of good (and some great) music for a worthy cause takes center stage once again as Eric Clapton hosts the second edition of his Crossroads Guitar Festival, a benefit for his Crossroads Centre rehab facility in Antigua and a near embarrassment of six-string riches occupying two discs. Staged in suburban Chicago in July, 2007, it features several of the same players who were at the first concert (2004, in Dallas), including Robert Cray, Buddy Guy, B.B. King, John Mayer, Vince Gill, John McLaughlin, and Robert Randolph. They're all in fine form, but it's those appearing for the first time who make the biggest impressions. Derek Trucks, who performs on his own, with his wife (Susan Tedeschi, herself an excellent blues guitarist), and backing several other artists (including a frighteningly decrepit-looking Johnny Winter), is a strikingly versatile young player. On the other end of the generational spectrum, the veteran Albert Lee spins out a series of stupefyingly swift licks on "Country Boy," while Jeff Beck is, well, Jeff Beck, at age 63 still inarguably one of the most original musicians to ever strap on a Stratocaster. While most of the others are content to play straight blues or blues-derived rock, Beck sounds as if he's riding a spaceship with strings, wringing sounds out of his instrument that defy understanding, let alone imitation; backed by ace drummer Vinnie Colaiuta and 22-year-old Tal Wilkenfeld, who may be the most exciting electric bassist to emerge since Jaco Pastorius, Beck delivers versions of "'Cause We've Ended as Lovers" and "Big Block" that are the highlights of the show. Elsewhere, Clapton, as is his wont, rises to the occasion in the presence of his peers and plays with considerable passion, even if his "reunion" with Steve Winwood lacks fire (mostly due to the lackluster nature of their Blind Faith-era material, other than the lovely "Can't Find My Way Home"). In the end, one might wish for more good songs, as opposed to opportunities for extended soloing, but even diehard axe-heads will surely be satiated after some four hours of hot licks. As for everyone else, well, that's why God invented the fast forward button. --Sam GrahamRelease Date: 20 November, 2007DVD
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9 songs - Unrated Full Uncut Version - Tartan Video
- AC-3, Closed-captioned, Color, Director's Cut, Dolby, DTS Surround Sound, DVD-Video, Subtitled, Widescreen, NTSC
Maverick director Michael Winterbottom wondered about the double standard of why novels can have explicit sex scenes and be legit and films could not. So his short film of a relationship based solely on sex and a love for music is the result of that thought. If the definition of a porn film is to shoot actors performing graphic sex scenes for real, then 9 Songs qualifies. It certainly doesn't feel or look like your standard whoopdee-do XXX feature. It's as glossy and low-budget arty as Winterbottom's 24 Hour Party People or I Want You. But yeah, Matt and Lisa do everything to each other, and the actors are not "just acting" in some of the sex scenes. No matter how landmark the movie might be, there is not much story here (at least a book with hot sex often has a good story to it). Lisa is an American drifter in London who hooks up with Matt, a scientist who studies glaciers in Antarctica. They have sex and visit nine rock concerts including Franz Ferdinand and The Dandy Warhols. As advertised, you can't find these musical performances anywhere else, but we just see them from way back in the crowd. The film has an essence of how someone can find bliss in another person's body, and the emotional, magical weight that can hold over you. But that spell doesn't last. Since the sex is real, Winterbottom had to cast unknown actors, and they really don't make an impression, especially with the lack of story. --Doug ThomasRelease Date: 22 November, 2005DVD
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Live In Las Vegas- A New Day.. - Sony
- DVD-Video, Live, NTSC
If you were one of the handful of folks who missed Céline Dion's mega-run in Las Vegas, fear not: Céline Dion: A New Day is a riveting, sumptuous front-row seat to the whole extravagant experience. As concert DVDs go, this is a show of a lifetime, nearly six hours featuring not only no-expenses-spared production values and every song from Dion's famed show, but priceless extras as well. Dion's substantial voice is in fine form, and sparkles on signature tunes like "A New Day Has Come," "The Power of Love," and of course the theme from Titanic, "My Heart Will Go On" (and Dion-watchers will note that she's thankfully dialed back the breast-beating that used to accompany this song). But as impressive as the performances are--and they include the talented gymnasts, dancers, and backup singers who work as a Cirque du Soleil-style ensemble--the set's most memorable moments are found in the personal footage and extras. Dion comes across as truly humble and approachable, with a wicked sense of humor and real compassion for her hard-working staff and her fans. There are sweet, intimate moments of Dion with her husband and son, as well as telling scenes that show her true resourcefulness (girlfriend does her own makeup!). The many docs include one on the building of her special theater and the building of the show from the ground up. "If you're going to gamble," says Dion's manager and husband, René Angélil, "Vegas is the place to do it." Ladies and gentlemen, we have a winner. --A.T. Hurley Release Date: 11 December, 2007 DVD
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Help! - Capitol
- Anamorphic, Color, DTS Surround Sound, Widescreen, NTSC
After the worldwide success of A Hard Day's Night, the Beatles and director Richard Lester reunited for a follow-up film, Eight Arms to Hold You. Well, that wasn't the final title; a pleading Lennon-McCartney tune provided the catchier handle: Help! A loose semispoof of the globe-trotting James Bond pictures, Help! has always been considered a somewhat disorganized comedown from its predecessor; but it presents "the famous Beatles" even more clearly as the English cousins of the Marx Brothers. The plot has an Eastern religious cult declaring that the new ring on Ringo's finger is the key element in a human sacrifice; they will stop at nothing to obtain it. Meanwhile, a mad scientist (crazed Victor Spinetti, who also appeared in A Hard Day's Night and Magical Mystery Tour) believes that if he has the ring, he could--dare we say it?--rule the world. The songs, including "Ticket to Ride" and "You've Got to Hide Your Love Away," are filmed with gleeful ingenuity, in locations such as the Bahamas, an Austrian ski resort, and the Salisbury Plain. The relentless nonsense becomes nearly the equivalent of a swinging-'60s Alice in Wonderland: for instance, Paul shrinks to the size of a gum wrapper, John fishes a season ticket out of his soup, George wears a top hat on the ski slopes, the lads sing the "Ode to Joy" to a lion. Oh, and the film is dedicated to Elias Howe, "who in 1846 invented the sewing machine." Brilliant. --Robert Horton Release Date: 06 November, 2007DVD
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The Johnny Cash Show: The Best of Johnny Cash 1969-1971 - Sony Columbia Legacy / Reverse Angle Productions
- Best of, DVD-Video, NTSC
Country and rock 'n' roll legend Johnny Cash hosted his own variety television series from the summer of 1969 to spring 1971, and by all accounts the weekly program was destination TV. The Johnny Cash Show: The Best of Johnny Cash 1969-1971 is an 83-minute summary of everything Cash tried to do in his hourlong format, from presenting an eclectic and even-handed overview of popular music to promoting a humanitarian perspective on issues that mattered most to him: drug use, poverty, reliance on faith, compassion for criminals. This DVD documentary is largely comprised of musical performances by Cash and some of the many guests who appeared on his show. But there are also snippets of interviews with behind-the-camera talent involved with the program as well as such old friends as Kris Kristofferson and Hank Williams Jr. Everyone speaks highly of Cashs warm, on-camera persona, and selected footage proves them right: Cash is ever the gentleman with an expansive spirit and down-to-earth grit. Musical highlights include Cashs own "I Walk the Line" and "Man In Black," Bob Dylans straightforward "I Threw It All Away," Loretta Lynns "I Know How," and a delightful George Jones medley. Ray Charles takes a bluesy spin on "Ring of Fire," Cashs fellow Sun Records artists Carl Perkins and Roy Orbison take turns in the spotlight, Neil Young brings the crowd to its feet with an amazing "The Needle and the Damage Done," and Eric Clapton (fronting Derek and the Dominos) turns in a passionate "Its Too Late." --Tom Keogh Release Date: 18 September, 2007 DVD
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Concerts on DVD
Woodstock - 3 Days of Peace & Music (The Director's Cut) - Warner Home Video
- Anamorphic, Color, Compilation, Director's Cut, Dolby, DVD-Video, Widescreen, NTSC
The three-day Woodstock music festival in 1969 was the pivotal event of the 1960s peace movement, and this landmark concert film is the definitive record of that milestone of rock & roll history. It's more than a chronicle of the hippie movement, however; this is a film of genuine historical and social importance, capturing the spirit of America in transition, when the Vietnam War was at its peak and antiwar protest was fully expressed through the liberating music of the time. With a brilliant crew at his disposal (including a young editor named Martin Scorsese), director Michael Wadleigh worked with over 300 hours of footage to create his original 225-minute director's cut, which was cut by 40 minutes for the film's release in 1970. Eight previously edited segments were restored in 1994, and the original director's cut of Woodstock is now the version most commonly available on videotape and DVD. The film deservedly won the Academy Award for Best Documentary, and it's still a stunning achievement. Abundant footage taken among the massive crowd ("half a million strong") expresses the human heart of the event, from skinny-dipping hippies to accidental overdoses, to unpredictable weather, midconcert childbirth, and the thoughtful (or just plain rambling) reflections of the festive participants. Then, of course, there is the music--a nonstop parade of rock & roll from the greatest performers of the period, including Crosby, Stills, and Nash, Canned Heat, The Who, Richie Havens, Joan Baez, Ten Years After, Sly & The Family Stone, Santana, and many more. Watching this ambitious film, as the saying goes, is the next best thing to being there--it's a time-travel journey to that once-in-a-lifetime event. --Jeff Shannon Release Date: 26 March, 1997 DVD
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Stevie Ray Vaughan & Double Trouble - Live From Austin, Texas - Sony
- Color, DVD-Video, Live, NTSC
Few guitarists ever mastered the Fender Stratocaster like the late, great Texas bluesman Stevie Ray Vaughan, and this priceless digital video disc collects both of the sizzling appearances that Vaughan and his solid band, Double Trouble, made on the PBS concert series Austin City Limits. Combined to form the most popular program in the show's distinguished history, the concerts were taped in 1983 and 1989; both provide a valuable portrait of Vaughan's astounding artistic development. The performances serve as bookends to Vaughan's brilliant career with Double Trouble, showing (in the words of producer Terry Lickona) a striking contrast between "zero self-confidence" and "pure magic," but in both cases you can see a master at work. Songs include "Pride and Joy," "Texas Flood," "Voodoo Chile," "Cold Shot," and "Riviera Paradise." This great-sounding DVD also includes the posthumous music video "Little Wing," featuring clips of Double Trouble and archival footage of blues greats from the 1920s to the mid-1990s. If you're even a part-time blues fan, Stevie Ray Vaughan: Live from Austin, Texas is a must-have disc. --Jeff Shannon Release Date: 03 September, 1997DVD
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Fleetwood Mac - The Dance - Warner Bros / Wea
- Color, DVD-Video, NTSC
With each passing year bringing another high-profile rock reunion, prompted as often by balloon mortgage payments as any real artistic hunger, old fans could be excused for greeting 1997's announcement that the big Mac was back with skepticism: at their commercial zenith, Fleetwood Mac had offered superb transatlantic pop-rock with the added spice of a remarkable back-story, but the band's long decline and underwhelming later personnel shifts didn't bode well. Such guarded expectations make the musical punch of The Dance all the more impressive, and enable the meticulously produced concert special to genuinely surprise. The band's musicianship-the one constant between the original, late '60s English blues band and its platinum '70s lineup featuring guitarist Lindsey Buckingham and singer Stevie Nicks-is in peak form, buttressed by a discreet auxiliary of additional musicians. Even with the hired guns, though, it's the rock-solid rhythm section of founders Mick Fleetwood and John McVie, and Buckingham's impassioned playing that strike sparks. Always a dynamic guitarist, Buckingham brings feverish intensity to both group classics and solo turns such as "Go Insane." Both familiar hits and new songs (including the solid "Temporary One" and "Bleed to Love Her") further confirm that this isn't a rote exercise-the band sounds fully engaged. Buckingham, Nicks, and the elegant Christine McVie retain their vocal charm (although Nicks has clearly lost her upper register). And the sense of old wounds healed, and older affections acknowledged, gives true poignancy to the set's high mark, a brilliant live version of "Silver Springs," a truly haunting Rumours-era B-side that proves deeply moving. --Sam Sutherland Release Date: 11 November, 1997 DVD
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John Denver - The Wildlife Concert - Sony Wonder (Video)
- Closed-captioned, Color, Dolby, DVD-Video, Live, NTSC
Self-professed "singer of the American West" John Denver shines in this heartfelt, 1995 live concert to benefit the Wildlife Conservation Society. Favorite songs such as "Rocky Mountain High," "Wild Montana Skies," and "Fly Away" are moving and gain fresh perspective from brief comments by Denver. Lesser-known songs like "Eagles and Horses" and "You Say the Battle Is Over" celebrate the spirit of animals and nature while underlining the importance of preservation. Succinct interview clips express Denver's commitment to nature: exploring man's basic hunger for the wild, the dichotomy between the uncultivated and the city, and the power of the individual to effect preservation and change. Striking though brief footage of wild animals like horses, eagles, penguins, and elephants in their natural habitats serve as bookends to the presentation. The Wildlife Concert is a reflective and moving musical celebration of the American West. --Tami HoriuchiRelease Date: 21 September, 1999DVD
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Michael Flatley - Lord of the Dance - Universal Studios
- Closed-captioned, Color, DVD-Video, NTSC
Billed as an updating and retelling of Irish folk legend, Lord of the Dance is less Erin Go Bragh than Hooray for Hollywood. Michael Flatley, late of Riverdance, gives us the old razzle-dazzle, fashioning a Celtic-influenced spectacular that wanders far away from its Riverdance roots. The light-show presentation is closer kin to another contemporary Irish musical group, U2. Flatley himself has gone designer chic. With close-cropped haircut, earring, buffed abs, and tight black pants he bears more than a passing resemblance to Bono. But you have to hand it to the guy--he works hard for the money, as does his attractive corps. The one maddening aspect of this glitzy, entertaining 90-minute festival is the overzealous editing. No image remains on screen for more than a few seconds. Neither Flatley nor his talented troupe deserves to have such craftsmanship sliced and diced like an MTV music video. --Richard NataleRelease Date: 23 November, 1999DVD
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The Rolling Stones - Gimme Shelter - Criterion Collection - Criterion
- Closed-captioned, Color, Dolby, DTS Surround Sound, DVD-Video, NTSC
To cite Gimme Shelter as the greatest rock documentary ever filmed is to damn it with faint praise. This 1970 release benefits from a horrifying serendipity in the timing of the shoot, which brought filmmakers Albert and David Maysles and Charlotte Zwerin aboard as the Rolling Stones' tumultuous 1969 American tour neared its end. By following the band to the Altamont Speedway near San Francisco for a fatally mismanaged free concert, the Maysles and Zwerin wound up shooting what's been accurately dubbed rock's equivalent to the Zapruder film. The cameras caught the ominous undercurrents of violence palpable even before the first chords were strummed, and were still rolling when a concertgoer was stabbed to death by the Hell's Angels that served as the festival's pool cue-wielding security force. By the time Gimme Shelter reached theater screens, Altamont was a fixed symbol for the death of the 1960s' spirit of optimism. The Maysles and Zwerin used that knowledge to shape their film: their chronicle begins in the editing room as they cut footage of the Stones' Madison Square Garden performance of "Jumpin' Jack Flash," and from there moves toward Altamont with a kind of dreadful grace. The songs become prophecies and laments for broken faith ("Wild Horses"), misplaced devotion ("Love in Vain"), and social collapse ("Street Fighting Man" and, of course, "Sympathy for the Devil"). Along the way, we glimpse the folly of the machinations behind the festival, the insularity of life on the concert trail, and the superstars' own shell-shocked loss of innocence. Gimme Shelter looks into an abyss, partly self-created, from which the Rolling Stones would retreat--but unlike its subject, the filmmakers don't blink. --Sam Sutherland Release Date: 14 November, 2000 DVD
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Sade - Live Concert Home Video - Sony
- Color, Dolby, DVD-Video, Live, NTSC
This impressive record of Sade's 1994 live peformances reminds us of just how much her distinctive sound combines languorously emotional pop with lightweight but musically fulfilling cocktail jazz. As fine as the voice is, we can never forget that Sade's backing band are sidemen rather than mere accompanists, and in several of the 18 numbers here we get solos of real virtuosity. The selection of songs includes many of Sade's hits--"Cherry Pie," "Smooth Operator," "Your Love Is King"--and some less well-known songs from the albums, such as "Red Eye" and "Jezebel." --Roz Kaveney, Amazon.co.ukRelease Date: 20 February, 2001DVD
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Roy Orbison - A Black & White Night (DTS) - Image Entertainment
- AC-3, Black & White, Color, Dolby, DTS Surround Sound, DVD-Video, Live, NTSC
Few early rockers were more gifted or less honored in their prime than the late Roy Orbison, whose vaulting tenor and vulnerable love songs conjured heartbreak and desire with operatic intensity. This 1987 concert special, originally broadcast on Showtime, came two decades after Orbison had retreated from pop's front lines, yet neither Orbison nor his music coasts on mere nostalgia: in every respect, A Black and White Night survives as a triumphant performance and a superb video production, as well as a first-rate retrospective of Orbison's hits. Filmed in black and white against the streamlined art deco stage of the since-demolished Coconut Grove in downtown Los Angeles, the concert is buoyed by a remarkable cast of A-list Orbison fans who signed on as his accompanists. Under the direction of producer T-Bone Burnett, the stage band thus includes Jackson Browne, Burnett, Elvis Costello, k.d. lang, Bonnie Raitt, J.D. Souther, Bruce Springsteen, Tom Waits, and Jennifer Warnes, along with the rhythm section from Elvis Presley's fabled late '60s and early '70s touring band. That astonishing lineup is all the more noteworthy for the restraint with which they collaborate--it's evident that those superstars came to honor Orbison, not upstage him, resulting in a gratifying cohesion to the performances. Orbison himself sounds as powerful as ever, his soaring falsetto cresting as dramatically as it did on the studio versions of the hits that inevitably dominate. Those songs meanwhile confirm that his blue chip admiration society came as much for the caliber of his writing as for his ravishing voice: if he remains best known for the jaunty come-on of "Pretty Woman," Orbison was first and foremost a rock balladeer, capable of bringing lumps to our throats with such classics as "Crying" and "Only the Lonely," or conjuring romantic trances through such gentle charmers as "Dream Baby." On this night, he handled all of them with fervor and finesse. --Sam Sutherland Release Date: 09 November, 1999 DVD
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James Taylor Live at the Beacon Theatre - Sony
- Color, Dolby, DVD-Video, Live, NTSC
Sensitive singer-songwriter, soft-rock poster boy, boomer troubadour: James Taylor has outlived the stereotypes offered by fans and critics alike by simply staying his musical course and continuing to refine his familiar, deceptively mellifluous style. This 1998 concert displays Taylor's craftsmanship and easy rapport with both his band and his audience to satisfying effect, offering a repertoire that draws from his entire career while providing a generous selection of songs from his Grammy-winning 1997 set, Hourglass. Fans will love it, of course, but even jaded listeners can find fresh feeling and formidable expertise here. By now, Taylor's skill at low-key love songs is a given, making him an archetypal "sensitive New Age guy" on the strength of his canny mix of emotional vulnerability, romantic imagery, and understated delivery. Less obviously, Taylor has gradually transformed the shadows of disillusionment audible in his earliest songs into a nuanced acknowledgment of his own age. "Line 'Em Up," from Hourglass, typifies his skill at limning disarmingly lucid, frankly philosophical vignettes, here woven around a recollection of Richard Nixon's last hurrah, while "Jump Up Behind Me" affords a testament to self-determination ultimately as serious in theme as it is buoyant in its musical framework. Throughout, Taylor's stage band proves a thoroughbred, its accompaniment rock solid and delicately detailed, and perfectly matched to a crack backing chorus. Among the first video concerts produced with DVD in mind, Live at the Beacon Theatre has been in heavy rotation in home demonstration suites ever since its release, an achievement understandable after hearing the crystalline 5.1 mix engineered by Frank Filipetti, who shared a Grammy as coproducer on Hourglass and snagged a second award for his engineering of that album. --Sam Sutherland Release Date: 07 October, 1998 DVD
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Rap and Hip-Hop on DVD
Krush Groove - Warner Home Video
- Closed-captioned, Color, DVD-Video, Subtitled, Widescreen, NTSC
Like its progenitors Beat Street and Wild Style, Krush Groove is a movie about hip-hop that in its rush to document an emergent culture ignores plot, acting, cinematography, and anything else that makes a movie watchable or worthwhile. That said, Krush Groove contains some nifty performances from hip-hop legends Run-DMC, the always hilarious Fat Boys (see Disorderlies if you can't get enough of their weighty shtick), brilliant MC Kurtis Blow, and Prince protégé Sheila E. Also look out for soon-to-be L.A. Law-yer Blair Underwood in a lead role. Performances aside, Krush Groove isn't def, it's just so-so. --Ethan Brown Release Date: 14 January, 2003DVD
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Jay Z - Fade to Black - Paramount
- Color, Dolby, DVD-Video, Widescreen, NTSC
Fade to Black is a document of Jay-Zs self-proclaimed final concert; a grand affair that took place before a sold-out crowd at New Yorks Madison Square Garden in November 2003. (But anyone who follows celebrity news knows that Jay-Z was out of retirement and back performing at the Garden just a year later.) Fade to Black is a legitimately powerful record of a truly historic event in the annals of rap. Muttering offhand narration with typical bored, streetwise affect, Jay hails the concert as a momentous occasion for being the first time a hip-hop show was allowed to headline at the Garden. Its unlikely that the full impact of the live performances will hit home to viewers unfamiliar with Jay-Z and his Roc-A-Fella Records stable of artists. Another frustration is trying to identify the array of visitors who trade raps on Jays stage. Included in the star-studded lineup are Missy Elliott, Foxy Brown, Pharell, Ghostface Killah, Beanie Sigel, Memphis Bleek, and R. Kelly. One unmistakable figure--and we do mean figure--is Jays squeeze Beyonce, who raises the temperature and the roof with her skimpy outfit, flowing hair, soulful yowl, and sexed-up dance routine that leaves her boyfriend and the whole of Madison Square Garden slack-jawed with animal desire. Twenty cameras captured the event, and some of the most powerful sequences are sweeping moves across the swirling, blissed-out masses as they lip sync along in perfect unison with Jay-Zs complex, profane, quick-witted raps. Less effective are intermittent cutaway segments that show the artist in various studio settings working up beats and rhymes. These amateurish home video breaks may give some insight to Jays perfectionism and dedication to his craft, but they detract from the visceral power of the beautifully executed performance footage. --Ted Fry Release Date: 05 April, 2005 DVD
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8 Mile (Widescreen Edition) - Universal Studios
- Anamorphic, Closed-captioned, Color, Dolby, DTS Surround Sound, Dubbed, DVD-Video, Subtitled, Widescreen, NTSC
Rap star Eminem makes a strong movie debut in 8 Mile, an urban drama that makes a fairly standard plot fly through its gritty attention to detail. Jimmy Smith (Eminem), nicknamed B Rabbit, can't pull himself together to take the next step with his career--or with his life. Angry about his alcoholic mother (Kim Basinger) and worried about his little sister, Rabbit lets out his feelings with twisting, clever raps admired by his friends, who keep pushing him to enter a weekly rap face-off. But Rabbit resists--until he meets a girl (Brittany Murphy) who might offer him support and a little hope that his life could get better. Under the smart and ambitious direction of Curtis Hanson ( L.A. Confidential, Wonder Boys) and ably supported by the excellent cast and the burnt-out environment of Detroit slums, Eminem reveals a surprising vulnerability that makes 8 Mile vivid and compelling. --Bret FetzerRelease Date: 18 March, 2003DVD
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8 Mile (Full Screen Edition) - Universal Studios
- Closed-captioned, Color, Dolby, DTS Surround Sound, Dubbed, DVD-Video, Full Screen, Subtitled, NTSC
Rap star Eminem makes a strong movie debut in 8 Mile, an urban drama that makes a fairly standard plot fly through its gritty attention to detail. Jimmy Smith (Eminem), nicknamed B Rabbit, can't pull himself together to take the next step with his career--or with his life. Angry about his alcoholic mother (Kim Basinger) and worried about his little sister, Rabbit lets out his feelings with twisting, clever raps admired by his friends, who keep pushing him to enter a weekly rap face-off. But Rabbit resists--until he meets a girl (Brittany Murphy) who might offer him support and a little hope that his life could get better. Under the smart and ambitious direction of Curtis Hanson ( L.A. Confidential, Wonder Boys) and ably supported by the excellent cast and the burnt-out environment of Detroit slums, Eminem reveals a surprising vulnerability that makes 8 Mile vivid and compelling. --Bret FetzerRelease Date: 18 March, 2003DVD
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