David Lynch
Eraserhead
(1977) Surreal, nightmarish
film that started David Lynch's directorial career. David
spent five years in the making of this cult film about a
zombie-like misfit, his girlfriend and their mutant offspring.
Mel Brooks, after screening this film, embraced david as
a genius and hired him for The Elephant Man (see
below).
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The
Elephant Man (1980) "I
am not an animal! I am a human being!" David Lynch's
first big budget film with Anthony Hopkins and John Hurt.
Set in Victorian England, the film follows the life of a
grotesquely deformed man and his struggle to be treated
with respect and dignity. John Hurt commented that during
the eight to nine hours in the makeup chair, he started
to believe he was John Merrick, "the elephant man".
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Dune
(1984) An ambitious, epic,
utterly mind-boggling, and, let's admit it, all-out weird,
adaptation of Frank Herbert's classic science fiction novel,
Dune remains one of the most controversial films in the
director's exceedingly provocative career. The story (if
Dune can be said to have just one story) is complex and
convoluted in the epic tradition; it has something to do
with political intrigue and a planet that is home to a precious
spice and gigantic sand worms. Think Shakespeare's Henry
IV with a dash of Tremors, and set in another galaxy. DVD
VHS
Blue
Velvet (1986) David Lynch
peeks behind the picket fences of small-town America to
reveal a corrupt shadow world of malevolence, sadism, and
madness. From the opening shots Lynch turns the Technicolor
picture postcard images of middle class homes and tree-lined
lanes into a dreamy vision on the edge of nightmare. After
his father collapses in a preternaturally eerie sequence,
college boy Kyle MacLachlan returns home and stumbles across
a severed human ear in a vacant lot. With the help of sweetly
innocent high school girl (Laura Dern), he turns junior
detective and uncovers a frightening yet darkly compelling
world of voyeurism and sex. Drawn deeper into the brutal
world of drug dealer and blackmailer Frank, played with
raving mania by an obscenity-shouting Dennis Hopper in a
career-reviving performance, he loses his innocence and
his moral bearings when confronted with pure, unexplainable
evil. Isabella Rossellini is terrifyingly desperate as Hopper's
sexual slave who becomes MacLachlan's illicit lover, and
Dean Stockwell purrs through his role as Hopper's oh-so-suave
buddy. DVD
VHS
Wild
at Heart (1990) Wild at Heart
is an utterly random and ugly experience with pockets of
startling imagery and inspired set pieces. Based on a Barry
Gifford novel, the film stars Nicolas Cage and Laura Dern
as lovers on the lam whose relationship is tested and who
meet some truly dangerous wackos (including an almost-simian
Willem Dafoe). Lynch's thoughts seem to be everywhere, and
he expects the audience to keep up with a story that seems
more a collection of avant-garde whims than a coherent vision
with the intuitive brilliance of his Blue Velvet. Cage gives
one of his more chaotic performances, but then he was just
reading Lynch's signposts. --Tom Keogh
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