David Lynch Video Collection at Dotshopper


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David Lynch

Eraserhead (1977) Surreal, nightmarish film that started David Lynch's directorial career. David spent five years in the making of this cult film about a zombie-like misfit, his girlfriend and their mutant offspring. Mel Brooks, after screening this film, embraced david as a genius and hired him for The Elephant Man (see below).

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The Elephant Man (1980) "I am not an animal! I am a human being!" David Lynch's first big budget film with Anthony Hopkins and John Hurt. Set in Victorian England, the film follows the life of a grotesquely deformed man and his struggle to be treated with respect and dignity. John Hurt commented that during the eight to nine hours in the makeup chair, he started to believe he was John Merrick, "the elephant man".

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Dune - David LynchDune (1984) An ambitious, epic, utterly mind-boggling, and, let's admit it, all-out weird, adaptation of Frank Herbert's classic science fiction novel, Dune remains one of the most controversial films in the director's exceedingly provocative career. The story (if Dune can be said to have just one story) is complex and convoluted in the epic tradition; it has something to do with political intrigue and a planet that is home to a precious spice and gigantic sand worms. Think Shakespeare's Henry IV with a dash of Tremors, and set in another galaxy. DVD VHS

Blue Velvet - David LynchBlue Velvet (1986) David Lynch peeks behind the picket fences of small-town America to reveal a corrupt shadow world of malevolence, sadism, and madness. From the opening shots Lynch turns the Technicolor picture postcard images of middle class homes and tree-lined lanes into a dreamy vision on the edge of nightmare. After his father collapses in a preternaturally eerie sequence, college boy Kyle MacLachlan returns home and stumbles across a severed human ear in a vacant lot. With the help of sweetly innocent high school girl (Laura Dern), he turns junior detective and uncovers a frightening yet darkly compelling world of voyeurism and sex. Drawn deeper into the brutal world of drug dealer and blackmailer Frank, played with raving mania by an obscenity-shouting Dennis Hopper in a career-reviving performance, he loses his innocence and his moral bearings when confronted with pure, unexplainable evil. Isabella Rossellini is terrifyingly desperate as Hopper's sexual slave who becomes MacLachlan's illicit lover, and Dean Stockwell purrs through his role as Hopper's oh-so-suave buddy. DVD VHS

Blue Velvet - David LynchWild at Heart (1990) Wild at Heart is an utterly random and ugly experience with pockets of startling imagery and inspired set pieces. Based on a Barry Gifford novel, the film stars Nicolas Cage and Laura Dern as lovers on the lam whose relationship is tested and who meet some truly dangerous wackos (including an almost-simian Willem Dafoe). Lynch's thoughts seem to be everywhere, and he expects the audience to keep up with a story that seems more a collection of avant-garde whims than a coherent vision with the intuitive brilliance of his Blue Velvet. Cage gives one of his more chaotic performances, but then he was just reading Lynch's signposts. --Tom Keogh

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David Lynch

David Lynch: The Art Life - -

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Blue Velvet - -

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Lost Highway - -

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Dark of Winter - -

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Eraserhead - -

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Dune - -

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Mulholland Drive - -

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Mulholland Dr. - -

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The Straight Story - -

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Lost Highway - - - MYSTERY/SUSPENSE - Run Time: 135 - Release Date: 2013/10/01 - R - BILL PULLMANRICHARD PRYOR

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Books by and about David Lynch

Catching the Big Fish: Meditation, Consciousness, and Creativity: 10th Anniversary Edition -David Lynch - - Tarcherperigee

For the 10th anniversary of David Lynch's bestselling reflection on meditation and creativity, this new edition features interviews with Paul McCartney and Ringo Starr.

When it first appeared in 2006, David Lynch’s Catching the Big Fish was celebrated for being “as close as Lynch will ever come to an interior shot of his famously weird mind” (Rocky Mountain News) Now for the bestseller’s 10th anniversary, Lynch dives deeper into the creative process and the benefits of Transcendental Meditation with the addition of his exclusive q-and-a interviews with Paul McCartney and Ringo Starr.

The musicians open up to Lynch about their artistry, history, and the benefits they have experienced, artistically and personally, from their decades-long practice of Transcendental Meditation -- a technique that they and their fellow Beatles helped popularize in the 1960s.

Catching the Big Fish is a revelation for all want to understand Lynch’s personal vision. And it is equally compelling for any who wonder how they can nurture their own creativity.

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David Lynch: The Unified Field -Robert Cozzolino - - David Lynch The Unified Field
David Lynch is internationally renowned as a filmmaker, but it is less known that he began his creative life as a visual artist and has maintained a devoted studio practice, developing an extensive body of painting, prints, photography, and drawing. Featuring work from all periods of Lynch’s career, this book documents Lynch’s first major museum exhibition in the United States, bringing together works held in American and European collections and from the artist’s studio. Much like his movies, many of Lynch’s artworks revolve around suggestions of violence, dark humor, and mystery, conveying an air of the uncanny. This is often conveyed through the addition of text, wildly distorted forms, and disturbances in the paint fields that surround or envelop his figures. While a few relate to his film projects, most are independent works of art that reveal a parallel trajectory. Organized in close collaboration with the artist, David Lynch: The Unified Field brings together ninety-five paintings, drawings, and prints from 1965 to the present, often unified by the recurring motif of the home as a site of violence, memories, and passion. Other works explore the odd, tender, and mincing aspects of relationships. Highlighting many works that have rarely been seen in public, including early work from his critical years in Philadelphia (1965–70), this catalog offers a substantial response to dealer Leo Castelli's comment when he enthusiastically viewed Lynch’s work in 1987, “I would like to know how he got to this point; he cannot be born out of the head of Zeus.”

Published in association with the Pennsylvania Academy of the Fine Arts

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David Lynch, Nudes -David Lynch -

A cinematic collection of feminine nudes from iconic film director David Lynch

“I like to photograph naked women. The infinite variety of the human body is fascinating: it is amazing and magic to see how different women are.”― David Lynch

Ten years after the exhibition The Air Is on Fire, which unveiled David Lynch’s photographic and painting work, comes the new photographic volume, David Lynch, Nudes, published by the Fondation Cartier pour l’art contemporain in Paris.

Featuring more than one hundred black-and-white and color images, many of them published for the first time, of feminine nudes captured by the iconic artist, these erotically charged photographs are close to abstraction, offering kaleidoscopic visions of the woman and attesting to David Lynch’s fascination with the infinite variety of the human body while also reminiscent of his cinematographic work.

125 photographs in black-and-white and color

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Room to Dream -ARRAY(0x360a130) - An unprecedented look into the personal and creative life of David Lynch—the visionary filmmaker, artist, and creator of Twin Peaks—through his own words and those of his closest colleagues, friends, and family.
 
In this unique hybrid of biography and memoir that’s as unusual as the man himself, Lynch opens up for the first time about a life lived in pursuit of his incredibly singular vision and the many heartaches and struggles he’s faced to bring his unorthodox projects to fruition—sometimes successful, sometimes not. Lynch’s lyrical, intensely intimate, and wholly unfiltered personal reflections riff off of preceding biographical sections, written by close collaborator Kristine McKenna and based on more than one hundred new interviews with surprisingly candid ex-wives, family members, actors, agents, musicians, and colleagues in various fields who all have their own take on what happened. This landmark book will offer a one-time, all-access pass into the mind of one of our most press-shy, enigmatic, and utterly original living artists.

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Lynch on Lynch - - - Lynch on Lynch

David Lynch erupted onto the cinema landscape in 1977 with Eraserhead, establishing himself as one of the most original and imaginative directors at work in contemporary cinema. Over the course of his career, he has remained true to a vision of the innocent lost in darkness and confusion, balancing hallucination and surrealism with a sense of Americana that is as pure and simple as his compelling storylines. In this volume, Lynch speaks openly about his films as well as about his lifelong commitment to painting, his work in photography, his television projects, and his musical collaborations with Angelo Badalamenti.

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David Lynch: The Man from Another Place (Icons) -Dennis Lim -

At once a pop culture icon, cult figure, and film industry outsider, master filmmaker David Lynch and his work defy easy definition. Dredged from his subconscious mind, Lynch’s work is primed to act on our own subconscious, combining heightened, contradictory emotions into something familiar but inscrutable. No less than his art, Lynch’s life also evades simple categorization, encompassing pursuits as a musician, painter, photographer, carpenter, entrepreneur, and vocal proponent of Transcendental Meditation.

David Lynch: The Man from Another Place, Dennis Lim’s remarkably smart and concise book, proposes several lenses through which to view Lynch and his work: through the age-old mysteries of the uncanny and the sublime, through the creative energies of surrealism and postmodernism, through ideas of America and theories of good and evil. Lynch himself often warns against overinterpretation. And accordingly, this is not a book that seeks to decode his art or annotate his life—to dispel the strangeness of the Lynchian—so much as one that offers complementary ways of seeing and understanding one of the most distinctive bodies of work in modern cinema. Its spirit is true to its subject, in remaining suggestive rather than definitive, in allowing what Lynch likes to call “room to dream,” and in honoring the allure of the unknown and the unknowable.

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David Lynch Adult Coloring Book: Surrealist Director, Renaissance Man of American Filmaking and Philosophy od David Lynch Inspired Adult Coloring Book -Kate Eraser - This is work of creative art and satire (17 U.S. Code § 107) David Keith Lynch is an American director, screenwriter, producer, painter, musician, actor, and photographer. He has been described by The Guardian as "the most important director of this era". AllMovie called him "the Renaissance man of modern American filmmaking", while the success of his films has led to him being labelled "the first popular Surrealist".

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David Lynch: Lithos -ARRAY(0x3882828) - The workshop of Item Editions is sequestered in a back courtyard off the Rue du Montparnasse in Paris, where artists from all around the world have lithographs made on Solnhofener stones. Here, with the help of the historic presses that have printed masterworks by such artists as Picasso, Matisse and Miró, a durable artistic continues today. Filmmaker, photographer, painter and printmaker David Lynch (born 1946) was captivated by this place and its history, when he first chanced across it in 2007: "I fell in love," he declared. Since his earliest experiments with zinc plates and prints in black and red, Lynch has continued to labor away at Item Editions, recently producing large black-and-white lithographs by drawing directly onto the stone (rather than using the medium to create multiples of pre-existing drawings), experimenting with textures to draw figurative imagery out of abstract patterns, and adding captions to further elucidate their themes. The content of these lithographs clusters around themes familiar to Lynch fans: love, eroticism, dreams and death. David Lynch: Lithos collects all of Lynch's work in this genre. A conversation between Dominique Païni, former director of the French Cinematheque and Centre Georges Pompidou in Paris, and the artist, provides further insight into Lynch's process.

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David Lynch: Interviews (Conversations with Filmmakers Series) - - - David Lynch Interviews Few directors in the past three decades have produced movies more compelling, controversial, or confounding than David Lynch (b. 1946). And fewer still have been so reluctant to talk about what they do. In this collection, editor Richard A. Barney has chosen the rare interviews in which Lynch opens up to questions rather than deflecting them. Whether Lynch is talking about his earliest film shorts such as The Grandmother or the break-out surrealist feature Eraserhead, the hit TV series Twin Peaks or his Oscar-nominated The Elephant Man or Blue Velvet or his most recent experimental tours de force, Mulholland Drive and Inland Empire, he stresses the power of image and sound to communicate his vision.

David Lynch: Interviews is the first survey of conversations with the director covering the broad spectrum of his artistic activities throughout his career, including filmmaking, painting, music production, and furniture design. It documents the evolution of Lynch's role in discussing his movies, from his self-described "pre-verbal stage" in the early years to his increasingly elaborate, though persistently elusive, articulations. It also registers the intense international interest in Lynch's work, with interviews from French and Spanish sources translated here for the first time.

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The Passion of David Lynch: Wild at Heart in Hollywood -Martha P. Nochimson - - The Passion of David Lynch Wild at Heart in Hollywood

Filmmaker David Lynch asserts that when he is directing, ninety percent of the time he doesn't know what he is doing. To understand Lynch's films, Martha Nochimson believes, requires a similar method of being open to the subconscious, of resisting the logical reductiveness of language. In this innovative book, she draws on these strategies to offer close readings of Lynch's films, informed by unprecedented, in-depth interviews with Lynch himself.

Nochimson begins with a look at Lynch's visual influences—Jackson Pollock, Francis Bacon, and Edward Hopper—and his links to Alfred Hitchcock and Orson Welles, then moves into the heart of her study, in-depth analyses of Lynch's films and television productions. These include Twin Peaks: Fire Walk with Me, Wild at Heart, Twin Peaks, Blue Velvet, Dune, The Elephant Man, Eraserhead, The Grandmother, The Alphabet, and Lynch's most recent, Lost Highway.

Nochimson's interpretations explode previous misconceptions of Lynch as a deviant filmmaker and misogynist. Instead, she shows how he subverts traditional Hollywood gender roles to offer an optimistic view that love and human connection are really possible.

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David Lynch

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