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David Lynch

Eraserhead (1977) Surreal, nightmarish film that started David Lynch's directorial career. David spent five years in the making of this cult film about a zombie-like misfit, his girlfriend and their mutant offspring. Mel Brooks, after screening this film, embraced david as a genius and hired him for The Elephant Man (see below).

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The Elephant Man (1980) "I am not an animal! I am a human being!" David Lynch's first big budget film with Anthony Hopkins and John Hurt. Set in Victorian England, the film follows the life of a grotesquely deformed man and his struggle to be treated with respect and dignity. John Hurt commented that during the eight to nine hours in the makeup chair, he started to believe he was John Merrick, "the elephant man".

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Dune - David LynchDune (1984) An ambitious, epic, utterly mind-boggling, and, let's admit it, all-out weird, adaptation of Frank Herbert's classic science fiction novel, Dune remains one of the most controversial films in the director's exceedingly provocative career. The story (if Dune can be said to have just one story) is complex and convoluted in the epic tradition; it has something to do with political intrigue and a planet that is home to a precious spice and gigantic sand worms. Think Shakespeare's Henry IV with a dash of Tremors, and set in another galaxy. DVD VHS

Blue Velvet - David LynchBlue Velvet (1986) David Lynch peeks behind the picket fences of small-town America to reveal a corrupt shadow world of malevolence, sadism, and madness. From the opening shots Lynch turns the Technicolor picture postcard images of middle class homes and tree-lined lanes into a dreamy vision on the edge of nightmare. After his father collapses in a preternaturally eerie sequence, college boy Kyle MacLachlan returns home and stumbles across a severed human ear in a vacant lot. With the help of sweetly innocent high school girl (Laura Dern), he turns junior detective and uncovers a frightening yet darkly compelling world of voyeurism and sex. Drawn deeper into the brutal world of drug dealer and blackmailer Frank, played with raving mania by an obscenity-shouting Dennis Hopper in a career-reviving performance, he loses his innocence and his moral bearings when confronted with pure, unexplainable evil. Isabella Rossellini is terrifyingly desperate as Hopper's sexual slave who becomes MacLachlan's illicit lover, and Dean Stockwell purrs through his role as Hopper's oh-so-suave buddy. DVD VHS

Blue Velvet - David LynchWild at Heart (1990) Wild at Heart is an utterly random and ugly experience with pockets of startling imagery and inspired set pieces. Based on a Barry Gifford novel, the film stars Nicolas Cage and Laura Dern as lovers on the lam whose relationship is tested and who meet some truly dangerous wackos (including an almost-simian Willem Dafoe). Lynch's thoughts seem to be everywhere, and he expects the audience to keep up with a story that seems more a collection of avant-garde whims than a coherent vision with the intuitive brilliance of his Blue Velvet. Cage gives one of his more chaotic performances, but then he was just reading Lynch's signposts. --Tom Keogh

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David Lynch

David Lynch: The Art Life - -

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Dune - -

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Blue Velvet - -

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Pilot - -

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Mulholland Drive - -

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The Father Thing - -

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Blue Velvet - -

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Duran Duran Unstaged - -

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If - -

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Lost Highway - -

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Books by and about David Lynch

Room to Dream -ARRAY(0x33b6830) - NEW YORK TIMES BESTSELLER • An unprecedented look into the personal and creative life of the visionary auteur David Lynch, through his own words and those of his closest colleagues, friends, and family

“Insightful . . . an impressively industrious and comprehensive account of Lynch’s career.”—The New York Times Book Review
 
In this unique hybrid of biography and memoir, David Lynch opens up for the first time about a life lived in pursuit of his singular vision, and the many heartaches and struggles he’s faced to bring his unorthodox projects to fruition. Lynch’s lyrical, intimate, and unfiltered personal reflections riff off biographical sections written by close collaborator Kristine McKenna and based on more than one hundred new interviews with surprisingly candid ex-wives, family members, actors, agents, musicians, and colleagues in various fields who all have their own takes on what happened.

Room to Dream is a landmark book that offers a onetime all-access pass into the life and mind of one of our most enigmatic and utterly original living artists.

With insights into . . .
Eraserhead
The Elephant Man
Dune
Blue Velvet
Wild at Heart
Twin Peaks
Twin Peaks: Fire Walk with Me
Lost Highway
The Straight Story
Mulholland Drive
INLAND EMPIRE
Twin Peaks: The Return

Praise for Room to Dream

“A memorable portrait of one of cinema’s great auteurs . . . provides a remarkable insight into [David] Lynch’s intense commitment to the ‘art life.’ ”The Guardian

“This is the best book by and about a movie director since Elia Kazan’s A Life (1988) and Michael Powell’s A Life in Movies (1986). But Room to Dream is more enchanting or appealing than those classics. . . . What makes this book endearing is its chatty, calm account of how genius in America can be a matter-of-fact defiance of reality that won’t alarm your dog or save mankind. It’s the only way to dream in so disturbed a country.”San Francisco Chronicle

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David Lynch: Someone is in My House -ARRAY(0x3317ae8) - Featuring rarely seen multimedia works by the revered cult filmmaker David Lynch, this revelatory book shows how he applies his powerful imagination and visual language across genres.

David Lynch has always been in the spotlight as a filmmaker, directing some of the most iconic movies ever made, but as a visual artist, he is less widely known. Lynch delights in the physicality of painting and likes to stimulate all the senses in his work. This book brings together Lynch's paintings, photography, drawings, sculpture and installation, and stills from his films. Many of these works reveal the dark underpinnings behind Lynch's often-macabre movies. Others explore his fascination with texture and collage. Throughout, Lynch's characteristic style--surreal, stylish, and even humorous--shines through. An introduction by music journalist and Lynch biographer Kristine McKenna, along with a thought-provoking essay by curator Stijn Huijts, offers fascinating new information and perspectives on Lynch's life and career. This book reveals an unexplored facet of Lynch's oeuvre and affirms that he is as brilliant a visual artist as he is a filmmaker.

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Catching the Big Fish: Meditation, Consciousness, and Creativity: 10th Anniversary Edition -David Lynch - - Tarcherperigee

For the 10th anniversary of David Lynch's bestselling reflection on meditation and creativity, this new edition features interviews with Paul McCartney and Ringo Starr.

When it first appeared in 2006, David Lynch’s Catching the Big Fish was celebrated for being “as close as Lynch will ever come to an interior shot of his famously weird mind” (Rocky Mountain News) Now for the bestseller’s 10th anniversary, Lynch dives deeper into the creative process and the benefits of Transcendental Meditation with the addition of his exclusive q-and-a interviews with Paul McCartney and Ringo Starr.

The musicians open up to Lynch about their artistry, history, and the benefits they have experienced, artistically and personally, from their decades-long practice of Transcendental Meditation -- a technique that they and their fellow Beatles helped popularize in the 1960s.

Catching the Big Fish is a revelation for all want to understand Lynch’s personal vision. And it is equally compelling for any who wonder how they can nurture their own creativity.

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David Lynch, Nudes -David Lynch -

A cinematic collection of feminine nudes from iconic film director David Lynch

“I like to photograph naked women. The infinite variety of the human body is fascinating: it is amazing and magic to see how different women are.”― David Lynch

Ten years after the exhibition The Air Is on Fire, which unveiled David Lynch’s photographic and painting work, comes the new photographic volume, David Lynch, Nudes, published by the Fondation Cartier pour l’art contemporain in Paris.

Featuring more than one hundred black-and-white and color images, many of them published for the first time, of feminine nudes captured by the iconic artist, these erotically charged photographs are close to abstraction, offering kaleidoscopic visions of the woman and attesting to David Lynch’s fascination with the infinite variety of the human body while also reminiscent of his cinematographic work.

125 photographs in black-and-white and color

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Lynch on Lynch -David Lynch - - Faber Faber Now fully updated, Lynch on Lynch describes the career of a cinematic genius who has continued to astonish filmgoers with the lovely and life-affirming The Straight Story and the luxurious dread of the Academy Award-nominated Mulholland Drive.

David Lynch erupted onto the cinema landscape with Eraserhead, establishing himself as one of the most original, imaginative, and truly personal directors at work in contemporary film. He is a surrealist, in the tradition of the great Spanish director Luis Bunuel. Over the course of a career that includes such films as The Elephant Man, Blue Velvet, Wild at Heart, Lost Highway, and the seminal TV series Twin Peaks, Lynch has remained true to an artistic vision of innocence lost or adrift in the direst states of darkness and confusion. Nobody else sees the world quite as David Lynch does. Once seen, his films are never forgotten, nor does the world about us seem quite as it did before.

In this definitive career-length interview book, Lynch speaks openly about the full breadth of his creative work, which encompasses not only movies but also a lifelong commitment to painting, a continuing exploration of photography, extensive work in television, and musical collaborations with composer Angelo Badalamenti and singer Julee Cruise.

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David Lynch: The Unified Field -Robert Cozzolino - - University of California Press
David Lynch is internationally renowned as a filmmaker, but it is less known that he began his creative life as a visual artist and has maintained a devoted studio practice, developing an extensive body of painting, prints, photography, and drawing. Featuring work from all periods of Lynch’s career, this book documents Lynch’s first major museum exhibition in the United States, bringing together works held in American and European collections and from the artist’s studio. Much like his movies, many of Lynch’s artworks revolve around suggestions of violence, dark humor, and mystery, conveying an air of the uncanny. This is often conveyed through the addition of text, wildly distorted forms, and disturbances in the paint fields that surround or envelop his figures. While a few relate to his film projects, most are independent works of art that reveal a parallel trajectory. Organized in close collaboration with the artist, David Lynch: The Unified Field brings together ninety-five paintings, drawings, and prints from 1965 to the present, often unified by the recurring motif of the home as a site of violence, memories, and passion. Other works explore the odd, tender, and mincing aspects of relationships. Highlighting many works that have rarely been seen in public, including early work from his critical years in Philadelphia (1965–70), this catalog offers a substantial response to dealer Leo Castelli's comment when he enthusiastically viewed Lynch’s work in 1987, “I would like to know how he got to this point; he cannot be born out of the head of Zeus.”

Published in association with the Pennsylvania Academy of the Fine Arts

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David Lynch Swerves: Uncertainty from Lost Highway to Inland Empire -Martha P. Nochimson -

Beginning with Lost Highway, director David Lynch “swerved” in a new direction, one in which very disorienting images of the physical world take center stage in his films. Seeking to understand this unusual emphasis in his work, noted Lynch scholar Martha Nochimson engaged Lynch in a long conversation of unprecedented openness, during which he shared his vision of the physical world as an uncertain place that masks important universal realities. He described how he derives this vision from the Holy Vedas of the Hindu religion, as well as from his layman’s fascination with modern physics.

With this deep insight, Nochimson forges a startlingly original template for analyzing Lynch’s later films—the seemingly unlikely combination of the spiritual landscape envisioned in the Holy Vedas and the material landscape evoked by quantum mechanics and relativity. In David Lynch Swerves, Nochimson navigates the complexities of Lost Highway, The Straight Story, Mulholland Drive, and Inland Empire with uncanny skill, shedding light on the beauty of their organic compositions; their thematic critiques of the immense dangers of modern materialism; and their hopeful conceptions of human potential. She concludes with excerpts from the wide-ranging interview in which Lynch discussed his vision with her, as well as an interview with Columbia University physicist David Albert, who was one of Nochimson’s principal tutors in the discipline of quantum physics.

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The Women of David Lynch: A Collection of Essays -ARRAY(0x303c438) -

David Lynch has been accused for decades of sexism and even misogyny in his work, due largely to frequent depictions of violence against women. Yet others see in Lynch’s work the deification of the female, and actresses like Laura Dern and Naomi Watts jump at every opportunity to work with him. “He is the master of the juxtaposition of the creepy and the sweet, the sexual and the chaste,” wrote W’s Lynn Hirschberg. “And at the heart of this tense, intriguing friction, you will always find Lynch’s women.” The Women of Lynch is a deep, provocative dive into this paradox, featuring ten essays, thought pieces and impressionistic interpretations of Lynch’s depiction of women on screen, by an eclectic array of accomplished female critics, scholars, performers, and writers, each tackling this vexing conundrum in her own unique way. The book also contains an interview with actress Mädchen Amick (Shelly Johnson in Twin Peaks) where she gives first hand knowledge on what it is like to be a woman of Lynch. Lisa Hession interviews the original woman of Lynch, Charlotte Stewart (Eraserhead, Twin Peaks) about being the actress with longest active span of working with David Lynch.

This is the first essay book about the work of David Lynch by all female writers. Readers will enjoy The Women of Lynch: A Collection of Essays.

 

This book contains essays by:

x. An Introduction by Philippa Snow

1. The Uncanny Electricity of David Lynch’s Women by Leigh Kellmann Kolb

2. Women’s Films: Melodrama and Women’s Trauma in the Films of David Lynch by Lindsay Hallam

3. A Colorless Sky: On the Whiteness of Twin Peaks by Melanie McFarland

4. Warding off the Darkness with Coffee and Pie by Mallory O'Meara

5.  “This is where we talk, Shelly.” An Interview with Mädchen Amick by Lindsey Bowden

6.  Welcome to the Bipolar Silencio Club! by Hannah Klein

7. The Triple Goddess by Lauren Fox

8. Isabella Rossellini: The Shocking “Real” in Blue Velvet by Kathleen Fleming

9.  Tea And Sympathy: Mrs. Kendal and The Elephant Man by Rebecca Paller

10. Jade: Ornamental Gem or Protective Talisman? A Character Study by Marisa C. Hayes

11. "Mary X Marks The Spot." An Interview with Charlotte Stewart by Lisa Hession

12. Impressions of Lynch: Journaling a Requiem by Mya McBriar

 

Edited by David Bushman

Concept by Scott Ryan

Front Cover by Blake Morrow

Art by Wayne Barnes & Hannah Fortune

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The Architecture of David Lynch -Richard Martin - - Bloomsbury Academic

From the Red Room in Twin Peaks to Club Silencio in Mulholland Drive, the work of David Lynch contains some of the most remarkable spaces in contemporary culture. Richard Martin's compelling study is the first sustained critical assessment of the role architecture and design play in Lynch's films. Martin combines original research at Lynchian locations in Los Angeles, London and Lódz with insights from architects including Adolf Loos, Le Corbusier and Jean Nouvel and urban theorists such as Jane Jacobs and Edward Soja. In analyzing the towns, cities, homes, roads and stages found in Lynch's work, Martin not only reveals their central importance for understanding this controversial and distinctive film-maker,
but also suggests how Lynch's films can provide a deeper understanding of the places and spaces in which we live.

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The Passion of David Lynch: Wild at Heart in Hollywood -Martha P. Nochimson -

Filmmaker David Lynch asserts that when he is directing, ninety percent of the time he doesn't know what he is doing. To understand Lynch's films, Martha Nochimson believes, requires a similar method of being open to the subconscious, of resisting the logical reductiveness of language. In this innovative book, she draws on these strategies to offer close readings of Lynch's films, informed by unprecedented, in-depth interviews with Lynch himself.

Nochimson begins with a look at Lynch's visual influences—Jackson Pollock, Francis Bacon, and Edward Hopper—and his links to Alfred Hitchcock and Orson Welles, then moves into the heart of her study, in-depth analyses of Lynch's films and television productions. These include Twin Peaks: Fire Walk with Me, Wild at Heart, Twin Peaks, Blue Velvet, Dune, The Elephant Man, Eraserhead, The Grandmother, The Alphabet, and Lynch's most recent, Lost Highway.

Nochimson's interpretations explode previous misconceptions of Lynch as a deviant filmmaker and misogynist. Instead, she shows how he subverts traditional Hollywood gender roles to offer an optimistic view that love and human connection are really possible.

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David Lynch

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